Theatre Design & Technology - Fall 1992 - 46

it was also a unique opportunity for an
en terprisi ng archi tect named J indrich
Smetana to realize a plan for a new kind
of theatre building which is rooted in a
new kind of theatre-making. It is called
the Divadlo Spirale or Spiral Theatre
and it opened juSt in time for the Franz
Josef Centennial celebration.
Smetana is an archi ten and scenographer and a former student of Josef
Svoboda, the well-known Czech architect. The twO have worked together as a
team at Laterna Magika for the past ten
years. Smetana's departure from Laterna
Magika became an opportunity, because
of the Franz Josef Centennial, to form a
new company which he calls Laterna
Animata. It is based on the principle of
continuous film projecrion from above
the stage onto a stage floor/projection
surface. It was also the remarkably fortuitous moment to build a theatre that
would house these design and production ideas and to build it to suit.
The audience is gathered round a
circular stage in twO spirals, like a gathering around a campfire, as Smetana
himself says. The film projector (kinetechnic, Isea lens) has been adapted to
operate with the lens at 90° to its usual
axis, from a booth located above the
srage, in the center of a domed geodesic
ceiling constriction.
pproaching the theatre
from the grounds of
the park, what meets
the eye is a large black
cylinder, which reveals
its structure through chainlink fencing
skin, and looks exactly like an oil tank.
A purely industrial form, its associations
are the opposite of the usual ones we
have with public theatres. It expresses
Smetana's philosophy (and Svoboda's,
too) that theatres need not, ought not
have the showy public faces of opera
houses at the expense of creatively rethinking the theatre itself. What is crucial to theatre is what happens on the
inside. By neglecting the public face,
concentration can be placed where it
belongs-and at a cost that is astonishingly low. It is a tribute to the Spiral
Theatre that it was designed just after
the Velvet Revolution and built by one
of Prague's first private contractors, a
Mr. Svarc by name, a man withom a
logo. The rotal cost was 75 million
crowns, or 52 million, roughly equivalem to the COSt of construning an exhibition tent in Dijon a year previously.
Bur the materials everywhere suggest
not only economy; they immediately
invite thought about their funnion, and
44

1992 FALL

TD&T



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1992

Contents
Theatre Design & Technology - Fall 1992 - 1
Theatre Design & Technology - Fall 1992 - 2
Theatre Design & Technology - Fall 1992 - 3
Theatre Design & Technology - Fall 1992 - Contents
Theatre Design & Technology - Fall 1992 - 5
Theatre Design & Technology - Fall 1992 - 6
Theatre Design & Technology - Fall 1992 - 7
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