Theatre Design & Technology - Fall 1992 - 52

The founding an of BTR was more a
privare iniriarive of rhe "Machinery
Direcror" (rhar was rhe ririe of a rechnical
direcror ar rhar rime) from rhe Wiesbaden
Srare Thearre. His name was Carl Augusr
Schick. He was an imporranr man,
because once a year rhe German "Kaiser
Wilhelm" came ro rhe famous spa of
Wiesbaden and pracriced his hobbydirecring an opera-ar Schick's rhearre.
The "Machinery Direcror of Wiesbaden" was acrually a well-known man in
rhe German rechnical rhearre scene. His
desire ro creare such a journal was rhe
endeavor ro have a mourhpiece which
could speak in favor of rhe rechnical rhearre people. Ir should also be remembered rhat rhis rime jusr after the rurn-ofrhe-cenrury was rhe period of rechnical
revolurion nor only in indusrry bur also
in rhe rhearres. The establishmenr of a
professional journal was also rhe firsr srep
in forming an occuparional organizarion,
rhe "German Technical Thearre Associarion" (Deursche Theaterrechnische
Gesellschaft), which was founded a couple of years after rhe appearance of BTR,
in 1909.
In rhe meanrime rhe rechnical direcrors of rhe bigger and world-famous
opera houses and thearres, like Berlin and
Dresden, became inreresred in rhis jour-

nal: rhe pasr-masrer Frirz Brandr (Berlin
Sraarsoper) was a promorer, and rhe
young Adolf Linnebach (Dresden and
Munich Operas) was a long-sranding ediror for BTR. Linnebach was followed by
Max Hasair (Dresden Opera), Friedrich
Hansing (Srurrgarr Opera) and, afrer
World War II, Walrher Unruh (Hamburg
Opera). Walrher Unruh was born in
Dresden, and so ir was "more rhan logical," rhat abour 20 years ago anorher rhearre rechnician from Dresden assumed
rhe edirorship from Unruh, and rhar was
me.
In rhis early years, rhe journal was
always rhe mourhpiece, rhe periodical
of a rechnicians' organizarion. In some
decades ir was also the bullerin of a
kind of rrade-union nor only for rechnicians bur also for scenographers. Afrer
World War II, \Xlalrher Unruh reawakened rhe journal, and ir developed inro
a very respecrable and ambirious publicanon.
Unruh added marerial in favor of rhe
scenic and technical "Upper-Class." Thar
was nor so bad, bur when I joined in
1971, my idea was ro widen rhe inreresr
of rhe journal, inrroducing arricles from
rhe direcrors' poinr of view and from all
of rhe disciplines of rhearre producrion
from rop ro borrom. [ still haven'r com-

plerely succeeded, bur I am hopefully for
rhe nexr 20 years. The aim, or if you like,
rhe uropian idea, is a journal for rechnical direcrors and sragehands, for scenographers and rhearre painrers, for archirens and carpenrers.
As ediror of BTR, I also inrroduced
regular secrions: columns for organizarions like rhe OISTAT, and DTHG (rhe
German narional organizarion for
scenographers, rhearre rechnicians, and
archirecrs), rhe VDSM (rhe organizarion
for rown and mulripurpose halls), and
rhe DIN Commirree (responsible for our
srandards). Also included are columns
wirh press commenrs, book reviews, conrenrs of rhe inrernarional journals, and so
on. Of some personal sarisfacrion is the
"edirorial" column, my regular commenrary abour real problems-a kind of
"valve" againsr rhe daily pressure in our
"facrories of arrs."
Unforrunarely I sri II am missing more
conrriburions from rhe pracririoners. The
problem is, scenographers, rechnicians,
and arrisans shrink from wriring. Very
often rhey have wonderful ideas, helpful
for all of us, bur nobody willput ir on
paper. Bur, one fine day....
You see, even a journal ediror can
dream.
-HEL!\IUT GROGER

ffi

HAVEN'T GOT A CLEW?

Draperief
* Lighting
* LamPf'

Dimmeu
Headfetf

Gel

* makeup

Special Effects
Rigging *

Hardware

w

..

.~:
CALL JOHN OR SAL AT MUTUAL
Scenic Paints, Lighting, Tools, Special effects.
Draperies OD quotation

I

~La



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1992

Contents
Theatre Design & Technology - Fall 1992 - 1
Theatre Design & Technology - Fall 1992 - 2
Theatre Design & Technology - Fall 1992 - 3
Theatre Design & Technology - Fall 1992 - Contents
Theatre Design & Technology - Fall 1992 - 5
Theatre Design & Technology - Fall 1992 - 6
Theatre Design & Technology - Fall 1992 - 7
Theatre Design & Technology - Fall 1992 - 8
Theatre Design & Technology - Fall 1992 - 9
Theatre Design & Technology - Fall 1992 - 10
Theatre Design & Technology - Fall 1992 - 11
Theatre Design & Technology - Fall 1992 - 12
Theatre Design & Technology - Fall 1992 - 13
Theatre Design & Technology - Fall 1992 - 14
Theatre Design & Technology - Fall 1992 - 15
Theatre Design & Technology - Fall 1992 - 16
Theatre Design & Technology - Fall 1992 - 17
Theatre Design & Technology - Fall 1992 - 18
Theatre Design & Technology - Fall 1992 - 19
Theatre Design & Technology - Fall 1992 - 20
Theatre Design & Technology - Fall 1992 - 21
Theatre Design & Technology - Fall 1992 - 22
Theatre Design & Technology - Fall 1992 - 23
Theatre Design & Technology - Fall 1992 - 24
Theatre Design & Technology - Fall 1992 - 25
Theatre Design & Technology - Fall 1992 - 26
Theatre Design & Technology - Fall 1992 - 27
Theatre Design & Technology - Fall 1992 - 28
Theatre Design & Technology - Fall 1992 - 29
Theatre Design & Technology - Fall 1992 - 30
Theatre Design & Technology - Fall 1992 - 31
Theatre Design & Technology - Fall 1992 - 32
Theatre Design & Technology - Fall 1992 - 33
Theatre Design & Technology - Fall 1992 - 34
Theatre Design & Technology - Fall 1992 - 35
Theatre Design & Technology - Fall 1992 - 36
Theatre Design & Technology - Fall 1992 - 37
Theatre Design & Technology - Fall 1992 - 38
Theatre Design & Technology - Fall 1992 - 39
Theatre Design & Technology - Fall 1992 - 40
Theatre Design & Technology - Fall 1992 - 41
Theatre Design & Technology - Fall 1992 - 42
Theatre Design & Technology - Fall 1992 - 43
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Theatre Design & Technology - Fall 1992 - 46
Theatre Design & Technology - Fall 1992 - 47
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Theatre Design & Technology - Fall 1992 - 49
Theatre Design & Technology - Fall 1992 - 50
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Theatre Design & Technology - Fall 1992 - 52
Theatre Design & Technology - Fall 1992 - 53
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Theatre Design & Technology - Fall 1992 - 56
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