Theatre Design & Technology - Summer 1992 - 23
but rhe early lessons gave us a srrengrh and
morivarion way our of proporrion ro rhe
acrual size of rhis am communi[)'. Nearly
everyrhing seemed possible when we
worked rogerher.
exr, a young direcror ar rhe nlversiry
of Washingron, Burke Walker, felr rhar
whar was rhen called rhe avanr garde was
under-represenred and in 1969 founded a
rhearre called rhe Emprv Space. Wirh
Greg and Burke borh coming from rhe
universiry ro Found imporranr rhearres, an
ongoing relarionship berween Wand
rhe proFessional arrs insrirurions of rhis
communi[)' was esrablished. Ir's anorher
demonsrrarion of how rhis communiry
works rogerher.
In rhe early '705, a young woman who
could nor ger hired bv rhe exisring rhearres
and who was parricularlv commirred ro
rhe classics decided ro srarr her own company. Margarer Booker founded Inriman
Thearre and added anorher imporranr
dimension ro rhe rhearre culrure.
\'(je now have nine professional rhearre
companies in rhis region. They include a
very fine mulri-culrural rhearre, rhe
SearrieGroup Thearre, a residenr acrorbased company called rhe Barhhouse
Thearre, housed in a barhhouse ar Green
Lake Park, and a very good company jusr
sourh of here, rhe Tacoma Acrors Guild, as
well as a firsr-rare baller, a symphony which
is nominared for Grammy Awards each
year, and an opera company which can be
measured favorably againsr any in rhe
counrry. \'(je have large organizarions capable of presenring Beerhoven, Ballanchine,
Brechr, and Barrok-rhe grears of rhe
reperroire--on a very high level.
In many communiries rhis compleres
rhe invenrory. In Searrle, however, we have
dozens of smaller organizarions presenring
lesser known or less popular exrensions of
each of rhe major arr Forms. Ir's rhese
organizarions rhar make Searrle's cui rural
communi()' especially rich. In Januarv, we
had rhe pleasure of rhe second annual
Fringe Thearre Fesrival wirh 49 new and
emerging rhearre companies presenring
more rhan 100 performances in eighr dif-
Ferenr venues.
Our professional dance communirywirh Pacific Norrhwesr Baller ar rhe ropemerged from a rradirion beginning many
years ago ar rhe Cornish School of Arrs
which had rhe disrincrion of nurruring rhe
homerown ralenrs of Roberr JoFFrey,
Merce Cunningham, and larer Mark
Morris.
The diversi[)' of Searrle's cui rural liFe is
really quire exrraordinary. On any given
nighr, six or seven rhearres, concerr halls,
or galleries are filled wirh people.
Searrleires love rheir arrs and rhey supporr
and arrend. There are more rhan 150,000
season ricker holders ro rhe arrs in Searrle.
The '60s in Searrle were abour civic
boosrerism, abour a communiry srarring ro
Feel irs own muscle, a ciry wanring ro offer
irs cirizens all of rhe ameniries rhar consrirure a civilized ci[)'. Audiences were being
idenrified and were being encouraged ro
parricipare. The work was very ofren jusr
average bur audiences were enrhusiasric,
parienr, and Forgiving. 1 ew funding
sources were being experimenred wirh.
PO~CHO, a large aucrion which raises
more rhan Si 1 million, was creared ro supporr rhe am. The Corporare Council, rhe
organizarion I head, was creared so rhar
corporarions would have a vehicle rhrough
which rhey could lend rheir supporr.
The '70s made ir clear rhar if rhis
.
.
.
emergll1g arrs communH}' was ro surVIve,
ler alone rhrive, new sources of revenue
would have ro be found. The crearion of
rhe arional Endowmenr for rhe Arrs in
rhe '60s served as an inspirarion and a
model. The message rhar governmenr supparr of arrs was an appropriare use of raxpayers money was nor losr on Searrleires.
\'(je paid arrenrion and developed a srraregy of our own For public funding.
A group of arrs managers, under rhe
umbrella of Allied Am, worked for a year
wriring legislarion rhar led ro rhe crearion
and funding of rhe Searrle Arrs
Commission. Thar same group advanced
legislarion rhar provided relief from
admission r
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1992
Contents
Theatre Design & Technology - Summer 1992 - 1
Theatre Design & Technology - Summer 1992 - 2
Theatre Design & Technology - Summer 1992 - 3
Theatre Design & Technology - Summer 1992 - Contents
Theatre Design & Technology - Summer 1992 - 5
Theatre Design & Technology - Summer 1992 - 6
Theatre Design & Technology - Summer 1992 - 7
Theatre Design & Technology - Summer 1992 - 8
Theatre Design & Technology - Summer 1992 - 9
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Theatre Design & Technology - Summer 1992 - 18
Theatre Design & Technology - Summer 1992 - 19
Theatre Design & Technology - Summer 1992 - 20
Theatre Design & Technology - Summer 1992 - 21
Theatre Design & Technology - Summer 1992 - 22
Theatre Design & Technology - Summer 1992 - 23
Theatre Design & Technology - Summer 1992 - 24
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Theatre Design & Technology - Summer 1992 - 26
Theatre Design & Technology - Summer 1992 - 27
Theatre Design & Technology - Summer 1992 - 28
Theatre Design & Technology - Summer 1992 - 29
Theatre Design & Technology - Summer 1992 - 30
Theatre Design & Technology - Summer 1992 - 31
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Theatre Design & Technology - Summer 1992 - 33
Theatre Design & Technology - Summer 1992 - 34
Theatre Design & Technology - Summer 1992 - 35
Theatre Design & Technology - Summer 1992 - 36
Theatre Design & Technology - Summer 1992 - 37
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