Theatre Design & Technology - Summer 1992 - 32
with gteat patience ro the direcror that
you can't make a new trap where he or
she wanrs it because the sprinkler system
pipes in the rrap room were put there
first and we don'r have money in the production budget ro bring the plumbers in.
I like coming ro these annual conferences. It's great fun ro spend time on the
exhibition floor looking at all the new
gadgets, light boards, rigging systems,
and items like that marvelous coiled
spring lift invented by the GagnonLaForest firm in Monrreal. Then we rour
local thearres and I realize that almost all
of you are working, and working very
well, in less-than-perfect facilities. Even
the best of the new ones have flaws and
built-in errors which just goes ro prove
that Murphy's Law works. Hisrorically,
we never seem ro learn quite enough. The
mistakes of the past are made again and
again. Perhaps not as often or in as glaring a fashion as made by the developer
who built a Broadway thearre in the early
years of this cenrury and forgot ro tell his
architect ro include dressing rooms, but
in their insidious way, errors get in.
SITT has done an enormous job
since its inception ro rectify sloppy
thinking in all the areas it concerns itself
with. It behooves all of us ra be ever on
the alerr. Remember the mistakes of the
past and eliminate them before they are
reborn in yet another "state-of -the-arr"
piece of equipmenr or new faciliry.
Now, ro a brief coda: At the beginning,
I raid you I was still up the creek. True
enough, but I do have a couple of paddies. Early in our Block Island residency,
Lois agreed to direct the Christmas
pageant at the church. Looking at me,
she said, "I need some help with the
lighting!" "Sure," said I. That was the
starr of a small business in design, consultation, fixtures, and anything else one
might need ro properly illuminate a new
or renovated summer house or someone's
production. I also light performances for
our ecumenical choir, the annual
Christmas parry staged by The Friends of
our Library, and most of the thearrical
endeavors produced by the srudenrs in
our local school. Several years ago, the
rown spenr a lot of tax money ro renovate
the building, adding new classrooms and
a gymnarorium. This multi-purpose
space exists largely for sporrs but it does
conrain a small stage at one end. 0
wing space, no anything. Sound familiar?
In January, the kids produced The
\'(lizard of Oz and could I light it?
Another challenge! I added some homemade twofers ro m), cable invenrory,
found that I could use the badminron net
pipe srands for booms, rebuilt my litrle
dimmer boxes inra one respecrable 600wan, ten-channel board, repaired some
of my gallon paint can frenellos, and
found our that you can make damn good
color frames out of scrap formica. My
only resorr ro mainland high tech is color
media. 1 ow if I can JUSt find some small,
cheap, three KW dimmers ro use as
group submasters, we'll really be ready
for A Midsummer Nights Dream in the
late spring. Even without the technology
menrioned at the beginning of these
remarks, where there's a wilL ..
Lasrly, thanks for listening ro me. I
think life teaches that any of us can find
the challenges, and with genrle shoves
from our own conscience, training, experience, and collaborarors, we can push on ro
worrhv conclusions. \YJe are still in there
pushing and on that note let me end with
a shorr theatre srorv as reinforcemenr:
Appearing with children and animals
is never easy, especially when you are
on the stage of the Booth Thearre in
New York with a chorus of children
and two dogs-and one dog decides
ro mounr the other. It's all perfecrly
innocenr of course-as Noel Coward
explained ro Richard Olivier, the
small son of Laurence Olivier and
Joan Plowright, when the boy asked
the Master what the two dogs were
doing on the fronr at Brighron: "It's
like this, dear boy: the one in fronr is
blind and the kind one behind is
pushing him all the way ro Sr.
ffi
Dunstans.'"
Tom Watson is a contributing editor of
TD&T and a Fellow ofthe IllStitute. He is
still available as aFeelance lighting designer. This article was originally presented as
the Fellows Address at the 1992 USITT
Conference & Stage Expo in Seattle. WA.
Endnotes
1 Simon chama. -Clio Has A Problem.- Til' .V,w York
Til1w Magazil1f. September . 1991: 30.
\X'imhrop Sargeant, "Profiles: Please, Darling. Bring
Three [Q even," Tlu ,VtU' Yorker. February 4.1956:
3
33.
Giles Brandre
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1992
Contents
Theatre Design & Technology - Summer 1992 - 1
Theatre Design & Technology - Summer 1992 - 2
Theatre Design & Technology - Summer 1992 - 3
Theatre Design & Technology - Summer 1992 - Contents
Theatre Design & Technology - Summer 1992 - 5
Theatre Design & Technology - Summer 1992 - 6
Theatre Design & Technology - Summer 1992 - 7
Theatre Design & Technology - Summer 1992 - 8
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