Theatre Design & Technology - Spring 1993 - 58

USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD
1.0

GENERAL.

1.1

INTRODUCTION.
This first revision of the Scenic Design
and Technical Production Graphic
Standard is the result of many
exchanges, both written and verbal.
The initial document was published in
the j 982 Spring volume of the USIIT
journal, Tbeatre Design &
Tee/mology. Thanks to a number of
recently published scenery textbooks
and the enthusiastic acceptance of the
standard by the USIIT membership,
both the concept and content of this
graphic standard now share a firm
foundation upon which this and
succeeding revisions can build.
Although there are many technical
changes within this rel~sion. the
majority are clarifications. Some of
the more significant modifications
include:
I. Indexing of figures and text.
2. Ordered and expanded hardware

symbols.
3. Line symbol alterations,

clarifications or additions such as
the "set line;' "break line," "datum
line," and "section lines."
4. Elimination of the practice of

drcumscribing elevation heights on
levels.
As noted in the original document, the

two-fold purpose for the creation and
implementation of a scenic graphic
standard is to provide practicing and
incoming members of tile industry
lvith a means of efficient and accurate
communication. In a profession as
mobile as the performing arts, it is
critical for practitioners to effectively
communicate lI~thOUt the need for
constant on-site residency. likelvise,
tile educator who has been charged
lvith tile task of preparing students for
professional careers needs assurance
that what is being taught is actually
acceptable and useful to the majority
of practicing professionals. In the
context of bOtll circumstances, it is

whether the drawing is being prepared
for a rigging cre~v, stage manager,
director, prop master, or one of the
other many spedalty areas of the
performing arts which communicate
through the use of graphics. Whatever
choices are made, however, each
choice must be in the form of
communication that is clear,
consistent, and effident for both
drafter and reader.

obvious that there will need to be
subsequent revisions to this standard
as new assemblies and fabrication
techniques become available and as
our understanding of standards
becomes more refined.
These re,~sions have been made based
on the assumption that the majority of
scenic drafters lvill be using standard
dralving tools rather than CADD
equipment. To the extent possible,
symbols and recommendations have
been configured to allow' for shapes
which can be efficiently produced by
either means. While it may not be
possible to produce images identical
10 those recognized here as good
drafting practice when using some
CADD packages, it is hoped in those
instances that the CADD drafter II~
work to produce images which foUow
this standard as closely as practicable.
1.2

2.0

LINES.

2.1

LINE WEIGIITS.
The recommendation is a modified
SI standard as foUolI :
Thin: .010" to .0125" lvidth.
Pen:
(AJ\'SI standard = .016")
Thick: .20" to .025" lvidtll.
(AJ\'SI standard = .032")
Pencil: Thin: O.3mm
Thick: O.5mm

SCOPE.

2.2

L1NElYPES.

This standard is intended to be used
by both scenery designers and scenic
technidans. As such it is flawed
because it is not in every instance
spedfic to the disdpline. However, as
imperfect as this may be, the
differences between design and shop
dralvings are not so great that two
distinct standards need to be
fashioned, nor is such a split even
desirable since so many theatre
professionals work in both capacities
much of the time.

2.2.1

BORDER AND DRAWING
DIVISION.

2.2.1.1

BORDER.
Athick single or double line. See fig.

What is important is t11at drafters
provide useful information to the end
user (e.g., shop drallwgs need to
show the breakdown of
subassemblies, while design dralvings
typically convey information regarding
profile and finish). In either instance,
the infornlation provided must be
specific, accurate, comprehensive,
and tailored to the needs of tile end
user.
Drafters must determine for
themselves which elements of this
standard apply to the specific use for
which the dralving is being prepared.
The deternlination of which elements
are appropriate will be dependent on

2.2.1.
2.2.1.2

TITLE BLOCK.
Athick single or double line.

2.2.1.3

DRAWING DIVISION.
Asingle thick solid line.

2.2.2

VISmLE EDGE LINE.
Asingle t1tick solid line. See fig. 2.2.2.

2.2.3

HlDDE EDGE LINE.
Atltin, uniformly dolled line. See fig.
2.2.3.

2.2.4

"CEILING LINE."
Athin, uniformly dashed line. See fig.
2.2.4. Alocal note, "CEILING mm," is
recommended.

2.2.5

PLASTER LlNE.
Athin, uniformly dashed line. see fig.
2.1.5. Alocal note "PL" or "PLASTER
LINE" may be reqUired for clarity.

2.2.6

SET LINE.
Athin solid line lvith short breaks

.



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1993

Contents
Theatre Design & Technology - Spring 1993 - 1
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Theatre Design & Technology - Spring 1993 - Contents
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