USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD 4.3.4 4.3.4.1 4.3.4.2 4.3.3. 4.4.2 OVERHEAD DRAPES (BORDERS). PU.TFORM AND srEP HEIGHT. Platform and step height are indicated by the height in inches above or below the stage floor. Heights below the stage floor are shown by applying a negative sign to the figure. Heights 11~lhout a negative sign are assumed to be positive. 4.4.2.1 OVERHEAD DRAPES (BORDERS) FLAT HUNG. Flat hung overhead drapes (borders) are shown by a thin uniformly dOlled line. See fig. 4.4.2.1. INDICATING srEP HEIGfITSREG LAR TREADS. See fig. 4.3.4.1. Note that an arrow points away [rom the principal level typically the stage floor. I DlCATI G srEP HEIGfITS IRREGULAR TREADS. See fig. 4.3.4.2. This method may also be used [or steps ha~ng regular tread heights if desired. 4.3.4.3 CIRCLES ARO ND PLATFORM HEIGHT I 'DICATIO S. - DELITED 4.3.5 RAMPS. 'ote that an arrow points away from the principal level - l)']Jically the stage floor. See fig. 4.3.5. 4.4 SOFT GOODS IN GRO 4.4.1 DRAPES (LEGS) TOUCHING OR NEARLY TOUCHI GTHE FLOOR. 4.4.1.1 4.4.2.2 4.4.2.3 4.4.3 D PLANS. DRAPES FLAT H NG. Flat hung drapes are indicated by a solid line of 112" scale thickness and by being terminated on each end by a short, thin perpendicular tic mark. See fig. 4.4.1.1. OVERHEAD DRAPES (BORDERS) HUNG W1TII FULLNESS. Overhead drapes (borders) hung in fullness are ShOllll by a thin, wal)', uniformly dotted line approximating a sine wave ha~g a peak to peak amplitude of 3" to 6" in the scale of the dral~ng. See fig. 4.4.2.2. OVERHEAD DRAPES (BORDERS) FLAT HUNG BUT SHO~ W1TII WAVY LINE. An alternative to 4.4.2.1. (Overhead Drapes [Borders] Flat Hung). Flat hung overhead drapery (borders) may be shown by a thin, unifornuy dotted, wavy line othemise similar to .4.2.2 but ha~ng a local note as "BORDERS FLAT H 'G" or eqUivalent. DROPS TO CHI 'G OR NEARLY TOUCHING THE FLOOR. Drops are indicated by a solid line of 112" scale thickness and by being terminated on each end by a short thin perpendicular tic mark. See fig. AND KEYSTONES. Comer blocks and kC) tones may be omitted from elevations at the discretion of the drafter e.xcept as required for clarity. See fig. 5.1.2. 5.2.1 RIGID FOOT IRO See fig. 5.2. J ;.2.2 FOLDING FOOT IRO See fig. 5.2.2 ;.3.1.1 TIGIIT PIN HINGE. See fig. 5.3.1.1 5.3.1.2 TIGIIT PIN HI GE ON OPPOSITE FACE. See fig. 5.3.1.2 ;.3.2.1 LOOSE PIN HI GE. See fig. 5.3.2.1 ;.3.2.2 LOOSE PI HINGE 0 OPPOSITE FACE. See fig. 5.3.2.2 ;.4.1 TOP HANGER IRON. See fig. 5.4.1. ;.4.2 BOTTOM HANGER IRO See fig. 5..2 ;.4.3 CEILING PLATE. See fig. 5.4.3 ;.4.4 DEE RING PLATE. See fig. 5.4.4 ;:;.1.1 LASHLINE IN CORNER BLOCK. See fig. 5.5.1.1. 5.;.1.2 LASHLIr<.'E EYE. See fig. 5.5.1.2 4.4.3. 4.4.4 DROPS OVERHEAD. Drops ol'erhead-e.g., painted borders--are indicated by a thin, unifornl1y dashed line equivalent to that used for OVERHEAD DRAPES (BORDERS) FlAT HUNG. See fig. 4.4.4. 4.4.1.2 4.4.1.3 DRAPES H G W1TII FULLl ESS. Drapery hung in fullness may be indicated by a wavy line approximating a sine wave ha~ng a peak to peak amplitude of 3" to 6" in the scale of the dralling. See fig. .4.1.2. DRAPES (LEGS) FLAT HUNG BUT SHO WITII WAVY LINE. An alternative to Art. 4.4.1.1. Flat hung drapery may be shown by a thin wavy line othefllise similar to 4.4.1.2 but ha~ng a local note as "LEGS - FLAT HUNG" or equivalent. 4.4.5 TRAVELERS. See fig. 4.4.5. 5.;.2 LASH CLEAT. See fig. 5.5.2 5.0 HARDWARE SYMBOLS IN ELEVATIO . ;.;.3.1 STOP CLEAT. See fig. 5.5.3. J 5.0.1 HInDE LINES IN ELEVATIO S. Hidden lines in elevation ~elVs may be omitted for clarity. ;.;.3.2 STOP BLOCK. see fig. 5.5.3.2 ;.6.1 5.1.1 CORNER BLOCKS AND KEYSTONES. See fig. 5.1.1. BRACE CLEAT. See fig. 5.6.1 ;.6.2 5.1.2 OMiSSIO OF CORNER BLOCKS KEEPER HOOK. See fig. 5.6.2