Theatre Design & Technology - Winter 1993 - 23
theatre archi tecture theme which are
paintings which meditare only on the
theatre architecture. The thrust of these
paintings seems ro be a contemplation
on the emotional or philosophical meaning of this architecture and they have as
their central picrorial device the placing
of the theatre into a dream-like environment. In a painting such as "Stavovske
Divadlo V Praze" (Figure 11), Vancura
takes this hisroric Prague theatre before
its 1983 reconstrucrion began, and constructs an imaginary view of it in which
the aururorium walls connect in a magical way with the the exterior of the theatre. Both inside and outside are seen at
the same time and the argument seems
ro be that both views are a function of
each other.
urther amplification of this
theme is seen in paintings
such as "Audirorium" (Figure
12) and "Semper Oper"
(Figure 13). In "Audirorium,"
a painting of the interior of
theatre in Liberec, Vancura
records a seemingly straight forward
view of the auditorium of his home theatre. However, close examination reveals
that the doors at the back of the auditorium and the circular architectural detail
in the ceiling actually open up ro the sky.
This painting is a speculation on the
nature of this theatre architecture, and
irs visual argument is that this architecture is a kind of scenery also. The historically documented connection between
Baroque and Rococo stage design and
architecture, and between stage designers
and archi tecrs, is a logical and oftenmade assertion, as Vancura well knows.
But Vancura takes this idea one step further by showing us that if this architecture really is scenery, then its proper
stage is out-of-doors. Further, he shows
us that the way ro really see if this assertion is true and to see this architecture in
its true "theatre" context, is JUSt to
remove the "masking flats"-the lobbies,
exterior walls, and roofs-and see
through ro nature.
In "Semper Oper," Vancura gives full
reign ro this idea. Painted in 1985, six
years before "Audirorium," ir shows the
stage and auditorium of the Semper
Opera House as seen from the perspective of one of the proscenium boxes. The
audirorium walls are seen in partial silhouette against a brilliant whi te sky.
Below the walls, a smooth, immaculate
English lawn grows over the audirorium
floor, pit, and stage. Finally, as in a
dream, the curtain of the opera house
lifts to reveal the lawn receding into the
13
TD&T
1993 WINTER
21
Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1993
Contents
Theatre Design & Technology - Winter 1993 - 1
Theatre Design & Technology - Winter 1993 - 2
Theatre Design & Technology - Winter 1993 - 3
Theatre Design & Technology - Winter 1993 - Contents
Theatre Design & Technology - Winter 1993 - 5
Theatre Design & Technology - Winter 1993 - 6
Theatre Design & Technology - Winter 1993 - 7
Theatre Design & Technology - Winter 1993 - 8
Theatre Design & Technology - Winter 1993 - 9
Theatre Design & Technology - Winter 1993 - 10
Theatre Design & Technology - Winter 1993 - 11
Theatre Design & Technology - Winter 1993 - 12
Theatre Design & Technology - Winter 1993 - 13
Theatre Design & Technology - Winter 1993 - 14
Theatre Design & Technology - Winter 1993 - 15
Theatre Design & Technology - Winter 1993 - 16
Theatre Design & Technology - Winter 1993 - 17
Theatre Design & Technology - Winter 1993 - 18
Theatre Design & Technology - Winter 1993 - 19
Theatre Design & Technology - Winter 1993 - 20
Theatre Design & Technology - Winter 1993 - 21
Theatre Design & Technology - Winter 1993 - 22
Theatre Design & Technology - Winter 1993 - 23
Theatre Design & Technology - Winter 1993 - 24
Theatre Design & Technology - Winter 1993 - 25
Theatre Design & Technology - Winter 1993 - 26
Theatre Design & Technology - Winter 1993 - 27
Theatre Design & Technology - Winter 1993 - 28
Theatre Design & Technology - Winter 1993 - 29
Theatre Design & Technology - Winter 1993 - 30
Theatre Design & Technology - Winter 1993 - 31
Theatre Design & Technology - Winter 1993 - 32
Theatre Design & Technology - Winter 1993 - 33
Theatre Design & Technology - Winter 1993 - 34
Theatre Design & Technology - Winter 1993 - 35
Theatre Design & Technology - Winter 1993 - 36
Theatre Design & Technology - Winter 1993 - 37
Theatre Design & Technology - Winter 1993 - 38
Theatre Design & Technology - Winter 1993 - 39
Theatre Design & Technology - Winter 1993 - 40
Theatre Design & Technology - Winter 1993 - 41
Theatre Design & Technology - Winter 1993 - 42
Theatre Design & Technology - Winter 1993 - 43
Theatre Design & Technology - Winter 1993 - 44
Theatre Design & Technology - Winter 1993 - 45
Theatre Design & Technology - Winter 1993 - 46
Theatre Design & Technology - Winter 1993 - 47
Theatre Design & Technology - Winter 1993 - 48
Theatre Design & Technology - Winter 1993 - 49
Theatre Design & Technology - Winter 1993 - 50
Theatre Design & Technology - Winter 1993 - 51
Theatre Design & Technology - Winter 1993 - 52
Theatre Design & Technology - Winter 1993 - 53
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Theatre Design & Technology - Winter 1993 - 57
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Theatre Design & Technology - Winter 1993 - 65
Theatre Design & Technology - Winter 1993 - 66
Theatre Design & Technology - Winter 1993 - 67
Theatre Design & Technology - Winter 1993 - 68
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