Theatre Design & Technology - Fall 1995 - 13

For the first time in the historr of the PQ. an American designer
MIS gi\'en an incli\'idualmedaJ. Gabriel Beny Iras recognized for her
bold. innoratire design statements. I found her to be an interesting and
outspoken personality and belie\'e rOldl find her inten'iell' with L'SITI
member Greg Robbins in this issue to be captirating and more than a
little controrersial. We are clearlr pleased to hal'e been able to feature
1\ls. Bern"s II'0rk in the LS, exhibit.

erer since to bring this superb designer and somc of his lIork to a
Lsrn Conference & Stage Expo, lIis t:tlent is enormous and Irill no
doubt be internationallr recognized in the future, I rel'isited the Brazilian exhibit after the all'ards ceremonl' and lI'as struck br the incredible
task facing the judges. This nation's portion of the PQ lias 10I'e". but in
mr opinion no more so than sereral others: Poland. Ilungan. GermanI'.
and Great Britain. to mention on II' a fell' from among mam [jne dispial'S.
Great Britain Iras gil'en a "special gold medal" (I don't knoll'
Il'here this falls in the orders of merit) for the exhibit most exempli~-
ing the theme: "In Search of Theatre Space." Ther did a superb job of
featuring both the design II'0rk and the architectural space in lI'hich
the designs were housed. ~Iy favorite among the British exhibits
shOlred the same Rom! Shakespeare production of the Beggars Opera. designed bl' Kendra Lllyart. mounted in the Slran Theatre at
Stratford and remounted in the Barbican Centre in London. It illustrated the impact of the theatre space on the design marvelouslr.
I :tlso enjoyed the environmental design by Kate Burnell in the
Cottesloe at the \ational Theatre.

Costume sketch by Jose Carlos Serroni for Path of

Salvation (above) was part of the Golden Triga awardwinning Brazil/ian exhibit. The British exhibit which
won a special gold medal, included Kendra UI/yart's
model of Beggars Opera (below) as remounted at the
Barbican Centre in London (directed by J, Caird in
1993), and a model of an environmental design (right)
by Kate Burnett.

DESIGN VERSUS PRESENTATION

THE GOLDEN TRIGA
The capstone alrard for the PQ is the Golden Triga. sort of the ol'erall
gold medal. It Il'as great fun to amici pate this award. and to participate
in the informal "expert opinion polls" conducted o\'er a dark beer in
one of the sidCll',tlk cafes on the beautiful Old TOIl'll Square in Prague,
.-\S as is often the case Irith such polls. none of us picked the el'emual
lI'inner. and nearlr ererrone lias surprised at the Brazilian capture of
this prestigious honor, Interesting"', tll'O adjudicators told me that this
mrarcl Il'as their easiest decision.
While a sholl'case for manl' Brazilian designers. the cornerstone of
the exhibit Il'as the l\'Ork of Jose Carlos Serroni. Sel'eral L'SITT delagates
to the OISTSI' congress in Caracas, \'enezuela tIro I'ears ago first saIl'
Serroni's m.uwlous models on cxhibit thcrc and hal'c bccn l\'Orking

Perhaps the most interesting and controversial aspect of the PQ to me is
the design of the display space for each countr\'. \ot hal'ing seen prerious PQs. I was very surprised at the intricacy of the exhibits themselres.
Our OIl'll John Conklin. lI'hose design for the L.S. Iron the Golden Triga
in 198-. is giren credit br se\'eral people for stimulating this innovation
in presentation stYle. ~lal1\ of you will remember his stunning Iralkthrough space representing a generic designer's studio.
l\lanl' of the couIllries concentrated their efforts on thc displar
space itself. While I found Poland's dark. multifacetcd displar (including a rosc-petallcd rcnecting pool that looked to bc from a Chekhor
piccc) fascinating, I must admit that I don't remcmber a single
dcsigner's work. 1\luch of it seemed from a surrealllallOll'ecn celebration. Contrast that Il'ith the Hungarian exhibit. Il'hich Il'as stunning as a
cohesil'e Il'hole and still found the liar to give emphasis to cach of the
dcsigner's efforts. The space lI'as claustrophobic but imaginatil'c. and
the II'0rk Il'as exceptional.
In those countries Il'hose exhibits Il'ere complex. I often spent
more time than in others searching all the nooks and crannies. 11011'el'er. I also came to think that marbe the simplicitr of. for instance. the
Japanese and German exhibits bellcr sen"C(lthe designers and their
dcsigns.
10&1

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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1995

Contents
Theatre Design & Technology - Fall 1995 - 1
Theatre Design & Technology - Fall 1995 - 2
Theatre Design & Technology - Fall 1995 - 3
Theatre Design & Technology - Fall 1995 - Contents
Theatre Design & Technology - Fall 1995 - 5
Theatre Design & Technology - Fall 1995 - 6
Theatre Design & Technology - Fall 1995 - 7
Theatre Design & Technology - Fall 1995 - 8
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