Theatre Design & Technology - Fall 1995 - 29

1975
Thanks to Rosamond and ~Iartha. Il"ho drew flll1ds and fal"OI's from el"ery conceil"able source. and
to the CoS. Steering Committee. chaired bl" ~Iing Cho Lee. co-chaired bl" Eldon Elder and Il"ith
1I00I"ard Bal". Don Oenslager and myself assisting: and lhanks to the professional slaff Il"hich lTV
LS hired for the occasion: a museum-tlve e:dlibit opened in prel"iell" at Ihe Library ~Iuseum of the
Performing .\rts in 'iell" York. This exhibit Il"hich included sel'el1ll" designers and 250 indil"iduaJ
designs mlS subsequentll" remounted for the third Prague Quadrennial in 19-5. The ITlIL'S published a most handsome catalog on the occasion. Conlelllporm:J' S/age Desigll C.S.A.. in Il"hich
the essays bl" Donald Oenslager. 1\ling Cho Lee. Charles Elson. Patricia Zipprodt. HOIl"ard Bay
(among others) are still most pertinem. '1\\"0 thousand copies of the exhibition catalog Il"ere
lransporled to Prague. Il"here after a brief inspection they II-ere confiscated bl" the authorities. We
had knOll"Il about but not fulll" appreciated the totality of socialist censorship. Page 115 of the
catalog was the Lester Polakol" design for The Life alld Tillles ofJoseph S/alill. Stalin had been
declared a "non-person" in Czechoslol"akia. therefore no reference to him Il"as permilled.
Rosamond Ims properll" incensed al this proposed censorship and threatened to Il"ithdrall" the
entire COS. exhibit. .-\n accommodation Il"as reached Il"herebl" the actual design l\"Ould remain in
the exhibit. though tilled only in English. IIhile the offending page would be removed from the
catalogs distributed in Prague.
19- 5 also Sail" lhe first of the slUdy tours and PQ delegations organized bl" LSI'IT I was inspired bl" our earlier master class tour of josef Svoboda through the Lnited States and decided
that cerlain members of our delegation l\"Ould be designated as master teachers. The masters in
our 60 person delegation included jo I\lielziner. George C. Izenour. Gilbert Helmsley. ~Iilia Dal"enport. Oren Parker and Eddl" Kook: Patricia Zipproclt joined Il"ith a freshh-set broken leg in a cast.
We had selected ten student members of LSlrr to accompanl" us. based upon applications and
supporling facullY letters. jo Mielziner and Gil Helmsley took their master leacher stalus most
seriousll'; the studel1ls (and the rest of us as Il"ell) Il"ere II'eLl-rell"arded bl" their comments. questions. and explanations as we saw plays and toured museums in London. Amsterdam. and Prague.
in addition to the time spent at lhe PQ.
The scenography exhibit Il"as joined by a theatre architecture exhibit expertly shepherded by
Peter Frink. with accompanying calalog published bl' LSI11' as Thea/re Desigll 1975. This Il"as the
first of LSI11"s architectural exhibits at a PQ. The CoS. scenographl" and architeclUral exhibits
receil"ed separate "honorable memion" certificales from the PQ jurI'. Being innocems in the imernational scene Il"e had not I"et recognizedlhe imp0rlamance of "going for the golcr'-the Golden
Triga all"ard.
1979
'ied Bowman. hal"ing been appointed COS. international-meister. pulled off a substantial coup in
getting john Rothgeb to talk Robert L.B. Tobin into financing an exhibit of scenographl' draml
10talll' from Tobin's collection and Il"ith john Rothgeb as curalOr. This kind of pril"ate funding Il"as
necessan'in 19-9 because the Lsrn Board Il"as unprepared 10 offer SUPP0rl for a Prague exhibil
and ITVLS was still pal"ing off ilS PQ .-5 debts. The L·.S. design retrospectil"e fealliredlll"emy-eight
l\"Orks by Robert Edmond jones. lhirteen by 'iorman Bel Geddes. eighleen bl" Eugene Bermancomprising half lhose sholl"Il-as well as l\"Orks bl" Olil"er Smilh and six other contemporary
designers. Tobin's coLlection had its own primte guards and Il"as housed in a special room in the
Brussels Pal"ilion. The exhibil Il"as substamialll" retrospeetil"e and lherefore not eligible for lhe
inlernalional competition. The jurI" recognized the seminal works and artists on displal" and
;lIl"arded a special certificate to 1\1r. Tobin. 1\11'. Tobin also contributed a handsome brochurel
catalog in lWO editions. one with color plates. entitled All Alllericall Collec/ioll.
1983
In spite of best resolutions and el"en gil"en Eddy Kook's announcemel1l thaI he l\"Ould match a porlion of any other gifts and granls. our funding efforts (although substantial) produced meager
results. .-\ proposed gOl"ernment funcler had originally seemed to smile upon us. lhen instead. in a
change of adminislration. :et ilS Sights on spending upll"ards of fil"e million on a nOl-lOo-happill"
conceil"ed "Iil"e theater" and posler exhibit destined for Hungary. This Il"as followed bl" llIrndOlI"Il
from the 'ialional Endoll"menl and el"en from Ed Kooks landlord. the Shuberl Foundation. Faced
Il"ith our inabilill" 10 properll" finance an independent CoS. exhibit Il"e scoured around for existing
materials. We finalll' prel"ailed upon lhe Lniled States Informalion Agency (LSIA) 10 prepare a
second copy of the George C. Izenour Thealre .-\rchiteclllre panels which they were alreadl" touring most successfulll" in Europe. The preparation costs Il"ere relatil"e1y minor and were borne bl"

Fielding. Eric-L'Sln FeliOlI" of the Instinlle.
Founder's Award 1982: c'cenographer: fOI'
merll" Editor. WE-T: Chair Publications
Commission OIST\T: LSrrr imernationalist:
COS. Center. OIST\T Steeling Committee:
leader of LSrn. PQ delegations: Chair. Theatre Dept.. BI'igh~ull Young L·nil"ersill".
Fotia. Roberta-Hosco E.xport ,\l;Ulager.
Frink. Peter-LSln FellOlI" of the Institute.. \1'
chitect ;Uld Thealre Pl,uming Consult;ull:
former Chair of the LSIH Thealre .\rcltitecnIre Commission.
Gaiser. Gerhardt W.-LSIli Felloll" of the Institute. founding member of LSnT:
Founder's .·\II·ard. 19-6: distinguished
leacher of lighting ~Uldlighting researcher.
School ofTheatre. Indi;Ula Lnil"ersitl".
Bloominglon. c10seh ;L~socialed Il"ith LSrrr
international actil"ities slarting Ilith prelimin,u~' meeting to establish OIS'I~\T.
Gates. Sarah Nash-LSrrr FellOlI" of the Instinile :Uld President. 1992-9-1: cosnlme designer. currently OIS'r.-\T \"-P for COSlUme/
scenography: ~Uld E.\ecutil"e Ilead. Dept. of
Dnulla. Lnil"ersill' of Washington. Sealtle.
Gilder, Rosamond-World Founder :Uld
Presidenl of the lmernational Theatre Instinile (ITI): fOllnder ~Uld President of the national center in the Lnited Stales OTl/LS).
First recipiem of Lsrrr :\w:u'd in 196-.
Hand. Dayid Hale-LSln FeliOlI" of the InstilUle :md President. 1986-88: business-pel'
son :Uld consult:Ult in emeI1:tinmellll"enues
,Uld technologies: son of a quite-fmllOus ~mi-
mator for the oliginal Disney Studios.
Hel.l11s1ey, Gilbert-one of the greatleachers
of stage lighting; Prof. al the Lnil"ersitY of
Wisconsin :Uld successor to IhUlS
Sondheimer at tile 'iell' York City Opera.
Kook. Edward F.-LSln FeliOlI" of lhe Instinile :Uld Presidelll 19-5---. co-follndcr of
the CenllllY Ughting Comp:Ulr: thc "ko" of
"Ieko": FOllnder's ;\ll"ard 19--1.
Jonker. J. Deet-Preliollsh. \ice-President of
Production Senices for ;\BC-T\" in 'iell" York
citro and is nOlI" Senior \·P. Productions of
Hadio Citl' ~lusic Iiall.
LaRue. Michele-scenographer. IITiter on ,l!'
chiteclllre. ~L~ Il"eli ,L~ :U1 established actress.
It W~L~ her greal talelll al org;Ulizatioll that
sen'edus wcll in 198-.
Lee. Betsy-lhe l"elY import:Ult person next to
and Ilife of ,\ling Cho Lee: den-mOLher to all
COS. scenographers ;U1d Gr~Uld ~Iistress of
~ling's "Cl;unbakc··.

10&1

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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1995

Contents
Theatre Design & Technology - Fall 1995 - 1
Theatre Design & Technology - Fall 1995 - 2
Theatre Design & Technology - Fall 1995 - 3
Theatre Design & Technology - Fall 1995 - Contents
Theatre Design & Technology - Fall 1995 - 5
Theatre Design & Technology - Fall 1995 - 6
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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