Theatre Design & Technology - Fall 1995 - 31

In 1987 we had successfully involved the North Carolina School of the
Arts to build and package the exhibit and manage its operation in
Prague. Various schools were interested in doing the same in 1991. A
rather high administrator in USIA, who claims the University of Texas as
his alma mater, decided that the already pledged SIA contribution
should be funneled through a university. Tllis was a kind card, dealt by
fate, because Bob Schmidt, Rick Stephens and Carolyn Lancet, USITT
stalwarts on faculty at the Ulliversity of Texas, had already indicated interest in 11a\~ng the exhibit prepared there. Steve Parks, T.O. at the Pel~
fornling Arts Center was assigned as our T.O., a most felicitous choice.
Meanwllile, Carolyn Lancet and Ron Naverson agreed to coordinate an
ex.hibit of student work, as part of a new addition to the PQ giving
special attention to works of students.
Our 1991 efforts were rewarded with the Gold Medal for best
theme ex.llibit, actually all that we were entitled to, but the Triga went to
other hands. We were somewhat disappointment in the jury awards,
feeling that Conklin's designs should have been recognized by a "gold"
for scenography, and perhaps the Sellars materials, en masse, should
have received some special citation, but all in all, we were quite happy.
1995
Arnold Aronson agreed to produce tlle .S. Ex.llibit. Arnold was
President of the 1991 PQJlIIY. Surely, it would have been easier to
repeat as a juror tllan produce the ex.ltibit, but Arnold felt it was impOl~
tant he make tllis contribution. Eric Fielding (who again designed tlle
ex.ltibit), Sarall Nash Gates as USITT President, Pat MacKay, Sanl SClipps,
and I met. We already knew tllat financing would be difficult. The .S.
body politic had basically stopped funding culltu'al events in the former
socialist countties; an ex.ltibit of scenography in Prague would not
attract much corporate support eitller. We decided that a lean number
of artists would be ex.ltibited. The PQ theme for 1995 is "In Search of
Theatre Space." Everyone in tlle room suggested one or more designers
whom we felt push the boundaries of conventional scenography. We
were in virtual agreement from tlle start on three scenographers and
tlJree costume designers. Leon Brauner agreed to again lead the separate .S. delegation. The student ex.ltibit was selected by Arnold and
Sarall from the Schools of Scenography E.x1tibit (Ming's "Clambake")
wllich Ming and Betsy Lee produced at the Library Museum at Lincoln
Center and from the USITT Young Designers Panels at the SITT
Conference. Eric and Arnold produced the catalog. All of this went
pretty much according to plan. The only ltitch was when Arnold
received quotes from tlle insurance compillties and found that they rate
the Czech Republic as a "hostile state."
The artistic results of the United States ex.ltibil at PQ '95 gave much
cause for satisfaction and the "silver" medal for cosltlme design,
awarded to Gabliel Berry, was illl important plus. Arnold illld Eric and
the SLIT team had carried the message to Prague: .S. design is alive
and well! .:.

Joel E. Rubin was producer ofthe u.s. exhibits to PQ '87 (Golden
Triga recipient) and PQ '91 (Gold Medal recipient), Co-Founder of
US1TT, Fellow ofthe 1nstitute, President 1963-65, several US1TT
citations and awards, member ofjlllJI for PQ '87, Chah; u.s.
Center OtSTAT, Managing DirectOl; Artec Consultants Inc., New
York Ci()'.

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29



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1995

Contents
Theatre Design & Technology - Fall 1995 - 1
Theatre Design & Technology - Fall 1995 - 2
Theatre Design & Technology - Fall 1995 - 3
Theatre Design & Technology - Fall 1995 - Contents
Theatre Design & Technology - Fall 1995 - 5
Theatre Design & Technology - Fall 1995 - 6
Theatre Design & Technology - Fall 1995 - 7
Theatre Design & Technology - Fall 1995 - 8
Theatre Design & Technology - Fall 1995 - 9
Theatre Design & Technology - Fall 1995 - 10
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