LAND COMMENTARY AND PHOTOS BY Leon L Brauner he cube-shaped Polish exhibit was completely enclosed, except for a ramped entrance in one corner. Inside it was dark and filled with surprises. There were several levels and ramped paths leading the spectator from one level to another. The actual process of viewing the artifacts seemed somewhat like a combination of a modern Halloween haunted house and the viewing of medieval mansion stages. The exhibit was both theatrical and about theatre. It incorporated the work of thirteen designers into an organic space which drew the spectator further and further into it. The viewer moved from several brilliantly colored multiply-textured costumes to aseries of nearly life-sized gray-toned softsculptured grotesque puppets. As you turned one of the many corners, )ou could view a magnificent table and chair (massive, handsome furniture properties) beneath a vibrant glowing icon. Around one more corner you would see laid before you several delicate (Chinese-like) ink and water color sketches of nearly naked characters. Costumes by Jadwiga Mydlarska-Kowal for INCOMPLETON (after tales by Franz Kafka) 34 F All I 9 9 5 TD& T