Theatre Design & Technology - Fall 1995 - 65

mained cool. Grasping the tool further back on the housing helped but
that somc\\hat reduced our control accurac\.
The tool has fairl\ good b;L!ancc but \\ould bc tircsome to usc all
dar long. Asmallcr diameter housing \\ould impro\e comfort for long
use. The housing also has a flatted section to prC\CIll the tool from roIling off the bench but this section is too sm;L!1 and protrudcs too lillie
from the basic cdindrical shape to reall\ be effecti\c. One other minor
problcm is that the sliding on/off s\\itch ;L!so protrudcs too lillie to operate easily in its recessed location.
The R\obi Detail Caner pcrformcd \ery \\ell. It produced clean.
smooth cuts \\hich should not requirc an\ sanding or further attcntion.
:\lthough the \rark progresses sIO\\I\. it is accuratc. The cord does makc
some car\ing mancu\ers a lillic a\\k\\ard so a rotating GIITing table
\rould make complicated car\ings casicr. Thc standard assortment of
blades is good but \\e \\ished for at Icast t\ra more: a sm;L!ler gougc and
a reining chisel. Spoon chisels \\ould also hclp in some situations.
The RlObi Detail Can'er \\ould be a good addition to IOUI' property
tool collection. It is sold in most hard\\are and homc suppl\ stores. The
list price of S1.1-1.00 is a bit stcep but \\e located onc chain store selling
the Car\er for S59.00 \\hich is ccrtainh a good bm.
Re\ie\\ed b\ Elbin Cleveland.
Theatre Design Professor. L'ni\ersit\· of South Carolina. Columbia.

Artist's Choice
This ne\\ sccnic paint b\ Sculptuml Arts Coating. Inc .. has all the qualities one looks for in a scenic paiIll-a concentratedmi:-;ture meant to be
e:-;tcnded \\ith \\ater that blends easil\ and has saturated colors. The unusual and outstanding feature of this "resin based" paint is its superior
adhesion to all sorts of hard-to-paint surfaces. L'sing the recommended
standard e:-;tension of one part paint to one part \\ater. Artist's Choice adhered easih' and firml\ to bead foam. \acu-form plastic. and ethafoam
rod. Both the White and Double White easil\ co\ered the cthafoam rod
\\ith one coat and resisted all but the most diligcnt rubbing and fle:-;ing.
On bead foam and vacu-form plastic. e\en hea\il\ diluted solutions of up
to I part paint to 15 parts \\ater adhered smoothl\ \\ith no beading or
separation.
Artist's Choice is not. ho\\·e\er. the perfect paint. All of the colors
are semitransparent. \one is sufficientl\ opaque to completel\ corer and
hide pre\iousl\' painted scenic units. The paint is fulh effecti\e onh \\hen
appLied o\'er a \\hite-primed surface. The yellO\\s are particularl\' transparent. requiring a completel\ smooth undercoating. Also some\\hat on
the transparent side are the Magenta. Utramarine Blue and. disappoiIllingl\'. the Burnt L'mber. These would require t\ra coats to be full\ smooth
and opaque. Most of the other colors provide good opacit\· o\er a \rhite
base. Especially the reds, \\hich .I found to be much more opaque than
those found in other brands. This transparenc\ is not unusual in nonprotein paints. and handled \\ith this shortcoming in mind. does not create a major problem in most painting. Onl\ \\hen flat. e\'en color coatings are desired can it become a difficult\.
\ot all of the colors are quite as "\i\'id" or saturated as ad\ertised.
The \'eUo\\s. orange. blues and earth colors are generall\ good-supe-

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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1995

Contents
Theatre Design & Technology - Fall 1995 - 1
Theatre Design & Technology - Fall 1995 - 2
Theatre Design & Technology - Fall 1995 - 3
Theatre Design & Technology - Fall 1995 - Contents
Theatre Design & Technology - Fall 1995 - 5
Theatre Design & Technology - Fall 1995 - 6
Theatre Design & Technology - Fall 1995 - 7
Theatre Design & Technology - Fall 1995 - 8
Theatre Design & Technology - Fall 1995 - 9
Theatre Design & Technology - Fall 1995 - 10
Theatre Design & Technology - Fall 1995 - 11
Theatre Design & Technology - Fall 1995 - 12
Theatre Design & Technology - Fall 1995 - 13
Theatre Design & Technology - Fall 1995 - 14
Theatre Design & Technology - Fall 1995 - 15
Theatre Design & Technology - Fall 1995 - 16
Theatre Design & Technology - Fall 1995 - 17
Theatre Design & Technology - Fall 1995 - 18
Theatre Design & Technology - Fall 1995 - 19
Theatre Design & Technology - Fall 1995 - 20
Theatre Design & Technology - Fall 1995 - 21
Theatre Design & Technology - Fall 1995 - 22
Theatre Design & Technology - Fall 1995 - 23
Theatre Design & Technology - Fall 1995 - 24
Theatre Design & Technology - Fall 1995 - 25
Theatre Design & Technology - Fall 1995 - 26
Theatre Design & Technology - Fall 1995 - 27
Theatre Design & Technology - Fall 1995 - 28
Theatre Design & Technology - Fall 1995 - 29
Theatre Design & Technology - Fall 1995 - 30
Theatre Design & Technology - Fall 1995 - 31
Theatre Design & Technology - Fall 1995 - 32
Theatre Design & Technology - Fall 1995 - 33
Theatre Design & Technology - Fall 1995 - 34
Theatre Design & Technology - Fall 1995 - 35
Theatre Design & Technology - Fall 1995 - 36
Theatre Design & Technology - Fall 1995 - 37
Theatre Design & Technology - Fall 1995 - 38
Theatre Design & Technology - Fall 1995 - 39
Theatre Design & Technology - Fall 1995 - 40
Theatre Design & Technology - Fall 1995 - 41
Theatre Design & Technology - Fall 1995 - 42
Theatre Design & Technology - Fall 1995 - 43
Theatre Design & Technology - Fall 1995 - 44
Theatre Design & Technology - Fall 1995 - 45
Theatre Design & Technology - Fall 1995 - 46
Theatre Design & Technology - Fall 1995 - 47
Theatre Design & Technology - Fall 1995 - 48
Theatre Design & Technology - Fall 1995 - 49
Theatre Design & Technology - Fall 1995 - 50
Theatre Design & Technology - Fall 1995 - 51
Theatre Design & Technology - Fall 1995 - 52
Theatre Design & Technology - Fall 1995 - 53
Theatre Design & Technology - Fall 1995 - 54
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Theatre Design & Technology - Fall 1995 - 56
Theatre Design & Technology - Fall 1995 - 57
Theatre Design & Technology - Fall 1995 - 58
Theatre Design & Technology - Fall 1995 - 59
Theatre Design & Technology - Fall 1995 - 60
Theatre Design & Technology - Fall 1995 - 61
Theatre Design & Technology - Fall 1995 - 62
Theatre Design & Technology - Fall 1995 - 63
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Theatre Design & Technology - Fall 1995 - 65
Theatre Design & Technology - Fall 1995 - 66
Theatre Design & Technology - Fall 1995 - 67
Theatre Design & Technology - Fall 1995 - 68
Theatre Design & Technology - Fall 1995 - 69
Theatre Design & Technology - Fall 1995 - 70
Theatre Design & Technology - Fall 1995 - 71
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Theatre Design & Technology - Fall 1995 - 76
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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