Theatre Design & Technology - Winter 1995 - 57

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.;. BiilJllellteclJllische RUlldscllfll/ (Germam'), Augusr 1994: "The
Renovarion of i\ !annheim's Narional Thearre" b~' Rudolf Bisre
and Kurr Gerling; '"A Tnannosaurus Rex for Handel's Giulio
Cesare" b~' Thomas Wolf; "Imernal Calcularion and Accouming
ofThearre Producrions" by Klaus Gonschalk; "Srandardizarion
of Theme Technology-Srage i\!achinery" by Hans-Ji.irgen
Sraars; "Theme in rhe Changing World" by Helmur Grosser.
.;.
, Ocrober 1994: "Renovarion of rhe Below-Srage
Machinery ar me Hanlburg Srare Opera" by Hans Pinck;
'Television Lighring in rhe Process of Change" by Perer
Sreinhauser; "Smoke-Prorecrion Measures in Thearres Using rhe
Full Srage as an Exanlple" by Hans Dohmen; "And There Was
Lighr-In rhe ew Producrion and Transmission Cemer of che
NOR (Norch German Radio Company)" by Thomas Weber;
"Remore Comrol Spodighrs in Mobile Operarion" by Josef ilay
and Bernhard Ardfellner; "DTHG-Podium/OISTAT'; "Leadership and Organizarion in Thearre" by Danilo Tondelli; "100
Years of Srage Lighring: \Xfhy We Cannor Lighr as Appia Did" by
Arnold Aronson; "125 Years Ago me Dresden Coun Thearre
Bursr imo Flames" by Hans-Joachim Profeld.

Lightillg + SOl/lid JllteJ71fltiollfll (Grear Brirain), Seprember
1994: "Wax.ing Prolinc" by Tony Gouelier; " 0 Srone
Umurned" by Tony Gorrelier and Deborall Loch; "Trials and
Tribularions" by Lesley Harmer; "Power, Performance, EMC:
Pan One" by Ken Dibble and Allen rv!orningron-Wesr; "AudioTechnica in me UK" by John Offord; "The S'can Do Principle"
by Tony Gouelier; "Phoebus Amphichearre"; "Scenic Sorcery" by
Rob Halliday; "Towards Compurer-Generared TV Shows" by
Gilray Densham; "On Tour: Elvis Cosrello and Aswad" by Sreve
Moles; "Asleep in rhe Sralls" by Ian Herberr; "Cambridge Folk
Fesrival" by Andy Wood.
___, Ocrober 1994: "The Pride of PLASA" by Tony
Gorrelier; "Lighring Technology: The Group Srory" by John
Offord; "The Big Picnic" by Roben Halliday; "Power,
Performance, EMC: Pan Two" by Ken Dibble and Allen
i\ !orningron-Wesr; "On Tour: B40 and Oasis" by Sreve
l'doles; "High Drama in orfolk" by Jim Laws; "J H Move
inro Pro Audio" by John Offord; "Asleep in rhe Sralls" by Ian
Herben.

.;. Profile (New Zealand), Augusr/Seprember 1994: "Reviews:
Titus AJldrolliClls, The House of Doors 0- Cal/lels, The Official
Tribute ro the Blues Brothm'''; "Healrh & afery: Evacuarion
Procedures"; "New Performing Am Cemre ar Avondale College,
Aukland" by I evil Brownlee; "Whar's Going On?"; "Educarion"; "Producr Review" by Ian McMinn and Michael Fowler;
"Les Jlfiz-a Tour de Force" bv Gail Deavoll.

NORMA ADLER, EDITOR

* ProSceJl (Sweden), Seprember 1994: "OISTAT Technical
Commiuee" by Maija Pekkanen; "Earm Leakage Circuir
Breakers" by A.R. Brown and Bjorn Claesson; "Consuucrional
Lighring Design" by K1as Moller; "AVAB Srockll01m Has a New
Address"; "Visiring Roben Juliar in Paris: Three Generarions of
Innovarions in Lighring Technique" bv Alf Guillemaur;
"Smckholm's Municipal Thearre-The K1ara Srage Renovarion
and Reconsuucrion" by Alf GuiLiemaur; "Novelries from Srrand
Lighring"; "A Lener m Karerina Cichrova from Per Edsuom
Regarding Cosrume No. 300 in che Cosrume Wardrobe ar rhe
Chareau Thearre in Cesky Krumlov" by Per Edsrrom; "Thearre
Norices" by Erik Wesrerlund.
.;. ProScelliul/I (Swirzerland), Augusr 1994: "Repon from che
Commirree Direcmr" by Yves-G. Momandon; "Annual Repon
from rhe Presidem" by Ernsr J. Schul mess-Eberle; "Proces-verbal
de I'assemblee generale"; "La rechnique du son par comparaison:
Thearre municipal de Wimerrhur er Thearre municipal de Sf.
Gall" by Walrer Unruh, George Tabori and Norberr Wobring;
"Recomre de Bregenz 1994" by Florian Radon; "Arelier PaimJee" by Rem Rossi; "Ponrair d'une profession: Le Scenographe"
by iv!arianne Lehmann; "Opera de Zurich" by M. Wyler;
"Marche de la Technique du rhearre: Arelier Bassi/ pirir Media";
"Reglage de la lumiere" by Florian Radon.
.;. Tbefltre (Finland), 1994: "When rhe House Begins ro Sing"
by Anneli Suur-Kujala; "\X!har Makes a Finnish Man Dance" by
Raisa Rauhamaa; "A Toasr ro me Lovers of Arr!" by Anneli
Ollikainen; "1992-93 Besr Finnish Plays" by Anneli SuurKujala; "Michael Baran, Playwrighr" by Eva Buchwald; "The
Girl Muram" by Michael Baran; "Fesrivals in Finland";
"Children's and Young People's Thearre Fesrivals in Finland" by
Raija-Liisa Seilo.
.;. ZiclJtlijJleJI (The Necherlands), Augusr 1994: "Symposium
Thearer in de marke" by Mechreld van Gesrel; "Jessica Heeman"
by Shirley Consrapel; "MIDI, deel4: De Sysex" by SierkJanszen;
" 'Lichr voor Oosr-Europa' " by Paul Anderssen; "De Kunsrmin
in Dordrechr" by Jan Kramer; "Thearer Insriruur 1 ederland";
"Flirsende voorsrelling, NDT3" by Uri Rapapon; "Geluid, een
plaars apan" by Ton Derks; "Gashouder wordr Horel" by i\lichel
Bezem; "Beursagenda" by Louis Janssen; "Her decorarelier van
de Opera in Mi.inchen" by Frirs van den Haspel; "De
zusrerbladen" by Dhian Siang Lie; "Theareragenda" by Shirley
Consrapel; "Ingezonden brief" by Gen-Jan Brouwer, Gerrir de
BeLIZe and Rinus Bakker; "Berichr van de Commissie van
Aanbevelingen" by Frirs van den Haspel. 1D
.;. IlidiCt/II's (/II officillljOllmal of 01 T,iT rill' III/mimiollill O'gllllizllfioll of
SCfllogmplJcrs. TeclJllici/IIiS. /llid ,ircIJircm ofT/l/'Ilm',

TD & T

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Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1995
