Theatre Design & Technology - Fall 1996 - 58

TARA MAGINNIS

m

I work as a costume
designer in academic
situations so I make a
point of listing my
education first.
The choice of which
category you put first in
your resume can, and
should, be a clue to
your work priorities.

COSTUME DESIGNER-TEACHER
Permanent Address:
749 Beechnut Ct.. San Rafael, CA 94903
(415)479-3157

EDUCATION:
Ph,D, in Theatre History, niversity of Georgia, Dissertation:
Fashion Shows. Strip Shows. and Beautv Pageants: The Theatre of the Feminine Ideal. 1991.
1.A. in Costume Design, California State University, Fresno.
Thesis: Costume Crafts Instruction Manual, 1985.
B,A, in History, San Francisco State University, Magna Cum Laude, 1981.
Work done also at College of Marin '76-78.

m

I am fortunate in
having a distinctly
memorable dissertation
topic-it sticks in peoples
minds.

TEACHING:
Assistant Professor, University of Alaska-Fairbanks, 1990-Present: History of Fashion and Dress, Costume Design and
Construction, Dyeing and Painting for the Theatre (Ind.St.), Millinary (Ind. St.), Russian Costume History, Advanced
Costume Design and Construction, Theatre Make-up, Theatre History and Theatre Appreciation. Served as Alaskan
coordinator for UA F's American Russian Theatre (ART) program in St. Petersburg, Russia, and Assistant to the Russian
Coordinator while in Russia during the summers of 1992-1993. Faculty Senate 1993. Theatre Department Head
III
1992-93. ow on leave at Theatre Terra Mobile, Russia.
Visiting Assistant Professor, University of Alaska-Fairbanks, 1988-89: Costume Design and Construction, Theatre
II
Costume History.
Graduate Teaching Assistant, University of Georgia, 1985-87: Appreciation of World Drama, also assisted Costume
II
Shop Manager in supervising work of lab students.
Graduate TeachingAssistant, California State University, Fresno, 1983-85: Assisted in Teaching of Costume History, Advanced
Costume Crafts, and Introduction to Technical Theatre, wrote the Lab Manual for Advanced Costume Crafts class as M.A.
Project.

iii

Listing my years at
College of Marin, is an
example of something
that could be omitted
over time. Now that I
have aBA, MA, and
PhD, two years ofjunior
college hardly matters.
However; many of my
West Coast colleagues
either went there or
know someone who
did, so I elect to leave it.

WRITING:

ID

Lost of information
can be packed into a
small orderly section.
One key to resume
writing is to convey
maximum information
in a concise and
prioritized format.

Il!I

I try to be accurate
in describing my
position. Heavily
inflated resumes usually
"smell funny" to the
reader; accuracy builds
confidence in your
credentials.

D

56

PAPERS DELIVERED:
Trallsformatioll: The Stripper as Sexual/deal, UCLA Burlesque Conference, March 14, 1993, Los Angeles, CA. Also,
panel member: Representatiolls of Women ill Bllrlesqlle.
Theatre Education ill the USA: The Liberal Arts Model, White Hall Seminars on Artistic Administration, 1992, The
White Hall, Committee on Culture, St. Petersburg, Russian Republic.
Tuma: Adaptillg Alaska Native Costume for the Stage,and Resllmes, Portfolios, alld Job HUll/illg ill a Free Jltlarket
Thea/re, and Theatre UAF: University Theatre in the USA, The Russian American Theatre Conference, 1992,
St. Petersburg, Russian Republic.
The NOII- Toxic Costume Shop Northwest Drama Conference, Moscow, Idaho, 1992.
A/aska Native Costume and Wh)' Actors Hate Costumers alld Vice Versa I WDC, 1991, La Grande, Oregon.
Paintillg Dyeillg alld Distressillg /Ildoors ill Alaska: Non- Toxic
Costume Crafts Processes for Ullvelltilated Spaces, and The Costumeralld Killko's: Uses for Xeroxillg alld Other Media
Sen'ices ill Costllme Desigll, COllstl'llctioll, alld Research, WDC, 1989, Anchorage, Alaska

However; there are
times when I fudge a
bit. The real name for
this course was
Appreciation of Great
World Drama, which I
always thought
sounded pretentious
and silly.
F

All

I

m
m

Kiosk lan, (1994): a play without words to be performed by Terra Mobile Theatre, St.Petersburg, Russia, in 1995.
The Omnigarment: Putting Design into the Hands of the Actor in Theatre Desil!n &Technolol!v. Spring 1994.
Costume Crafts at 50 Below: The Fairbanks Non Toxic Crafts Cookbook in TD&T. Fall 1994.
A Student's Guide to Budget Travel Planning in Collel!e Monthlv February 1994.
D
Pelfumes for the Period Scent in The Ladv's Gallerv. July 1994.
Freelance Author, October 1994-1995, for The St.Petersburg Press assorted articles: Old alld Nell' Rill/als a/ PIa)'; "When The
SUII Was God" (theatre review), The Coldest Thea/re El'ell/ ill the World, Fashioll A-Z at the HOllse of Fashioll, Filldillg the
Right FI//; The Empresses Old Clothes alld Other Costllmes, and other articles too numerous to mention.
The OmniCostume: 32 Ways to a Period Silhouette in SITTTheatre Technolol!v Exhibit 1993 Catalog.
Native Alaskan Costume Bibliography in The I orthwest Drama Journal Spring 1993, Editor and Co-author.
"She Saves Who Sews For Victory"; Home Sewing on the Americall
Home Frollt in Costume 1992 (The Yearly Journal of the Costume Society, U. K.)
Co-editor and contributing author: Connections: The Russian American Theatre Journal Summer '92.
Could You Please Look These Over?, One Act Play, 1991, UAF.
Quicker Corsetry in Theatre Crafts, October 1990.
Stereographs as a Resource ill Coshlllle History in TD&T, Spring 1987.
Library Costume Resources: A Supplement in USITT Newsletter, April 1987
The 12 Dancing Princesses and Cinderella: Children's plays, performed at Cobb School, San Francisco, 1978-79.

9

9

6

TD&T


http://www.Ind.St

Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1996

Contents
Theatre Design & Technology - Fall 1996 - 1
Theatre Design & Technology - Fall 1996 - 2
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Theatre Design & Technology - Fall 1996 - Contents
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