Theatre Design & Technology - Fall 1996 - 65

detail to understand hOlr the effect could be constructed.
There is also little discussion of different options on how to
accomplish a desired effect. For a book that seems to include
so much beginner information, it is surprising that nowhere
within the discussion of curtain tracks is there a mention of
trareler tracks or hOlr to rig them. Only one type of tripped
drop is mentioned. one method of swaging a drape, and the
cO\'erage of fl)ing only discusses single point pickup lines. Yet
the author briefly touches on advanced technology such as
animatronics.
The section on sound is a very good source of information for someone \rho is designing a ne\r sound system. [nfornll1ately, little time is spent on actual sound effects in this
chapter. This author spends the majority of this section on
choosing equipment rather than giving inside secrets of
sound effects. There is also little discussion of the older mechanical sound effects which used to be the prOlince of the
props master.
The special effects section does have a fairly thorough
discussion of scenic fog choices and contains one of the most
informatire discussions of silk fire effects we have run across.
The torch section also has an appreciable amount of information on different techniques and discusses why a technician
would choose one over another. These e:\amples could have
been e:\cellent models for the rest of the book, but the multiauthor nalllre of the te:\t seems to have precluded that possibility. Many basic stagecraft te:\ts contain as much instruction

on the construction and materials involved in th e creation of
special effects.
The only effects described \vith any detail are ones which
the authors have devised for their own theatrical endeavors.
E\'en these descriptions could hare been enhanced with technical drawings. schematics and materials lists. There are some
e:\cellent colored production photos of effects in performance, but these photos don't shorr the construction and rigging of the effect.
Occasionally some useful tips can be gleaned from tlus
book such as safety precautions, the necessity of multi-departmental collaboration in creating an effect, and the selection of
sound equipment. However, these useful offerings are few and
far between. What secrets the authors do provide are
the sort already commonly knOlm and not the
veteran's secrets that we would hope from a book
with tlus title.
The authors seem to have tried to take a nuddle
ground somewhere between reference guide and coffee table book and so accomplish neither objective
very \rell. This failure to choose an audience of either
laymen or theater techlucians coupled with inadequate detail and a linuted effects list effectively prevents tlus book from beconung a centralized
information source on theatre effects.
Reviewed by R. A. \aversen and Tracy Fitch,
Unirersity of Southern Illinois University at Carbondale

ESTA'5 TECHNICAL STANDARDS PROGRAM
RECOMMENDED PRACTICE FOR ETHERNET CABLING SYSTEMS
IN ENTERTAINMENT LIGHTING ApPLICATIONS

INTRODUCTION TO MODERN ATMOSPHERIC EFFECTS

STANDARD FOR CONSTRUCTION AND USE OF WIRE ROPE LADDERS

Recommended Practice for Ethernet Cabling Systems in Entertainment Lighting Applications is
an important and handy document for installers and end-users of lighting equipment. It clearly lays out how the
Ethernet networks used in modern lighting systems need to be designed and installed to as me reliable performance.
Introduction to Modem Atmospheric Effects is an informative booklet about current fog-making technologies and
their safe and responsible use. This booklet gives a factual presentation of CllITent and popular atmospheric effects
including heated fogs. cryogenic fogs and mechanical fogs.
Standard for Construction and Use of Wire Rope Ladders describes the minimum specifications for a safe wire
rope ladder. and also advises how to Lise one safely.

All titles are available through Broadway Press. To order call 800-869-6372 or 502-426-1211.
TD&T

F

ALL

1

9

9

6

63



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1996

Contents
Theatre Design & Technology - Fall 1996 - 1
Theatre Design & Technology - Fall 1996 - 2
Theatre Design & Technology - Fall 1996 - 3
Theatre Design & Technology - Fall 1996 - Contents
Theatre Design & Technology - Fall 1996 - 5
Theatre Design & Technology - Fall 1996 - 6
Theatre Design & Technology - Fall 1996 - 7
Theatre Design & Technology - Fall 1996 - 8
Theatre Design & Technology - Fall 1996 - 9
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com