Theatre Design & Technology - Winter 1998 - 49

Duncan Isadora My Life. New York: Boni and
Liverigllt, 1927.
Eyant-Confino, Irene. Beyond The Mask: Gordon Craig, Movement and the Actor.
Carbondale, IL: Southern Illinois Univel~
sity Press, 1988.
Innes, Christopher. Edward Gordon Craig.
Cambridge: Cambridge UP, 1983.
Kirstein, Lincoln. Dance. New York: Putnam,
1935.
Lauer, David. Design Basics. New York: Knopf,
1988.
Rood, Arnold. Craig on Movement and
Dance. ew York: Dance Horizons, 1977.
Simonson, Lee. The Stage is Set. 1932. New
York: Theatre Art Books, 1963.
Steegmuller, Francis. Your Isadora: The Love
StO!)1 ofIsadora Duncan and Gordon
Craig told through letters and diaries
never beJore published. New York: Random House and the I ew York Public library, 1974.
Collections

Fig. 11

must move only, if they want to restore the art
to its old place. Acting is Action-Dance is the
poetry of Action." (199) It is clear through this
evidence why Craig thanked Duncan for his
best designs of 1905. E. A. Craig notes that
from his father's time with Duncan "he [Craig]
was evolving his great idea for a new kind of
kinetic theatre-a synthesis of form, light,
scene, figures and sound... movement. Willie
he was still spellbound by Isadora, ideas filtered through his mind, some of them remaining to become the embryos of other ideas that
were to playa big part in his main theory later
on." (199)
Craig was more than "spellbound" dUring
his era with Duncan. His prolific work for her
brought to his own work the mastery of movement in design. *:.
Dr. Renee Vincent is assistant proJessor

at the University ojNorth Carolina at
Wilmington. She is preparing a book about
E. Gordon Craig.

Craig Collection. The Harry Rar ' Human
Resource Center: The Ur
* Texas,
Austin.
Craig-Duncan Collection. The Danct l:ollection, The Library for the Performing Arts
at Lincoln Center, I ew York.
Craig, Edward Gordon. "The Isadora Duncan
Notebooks 1904-944." The University of
Texas, Austin.

Works Cited

\'\orks Consulted

Articles

Articles

Talley, Paul M. "Architecture as Craig's Interim
Symbol: Ruskin and Other Influences.
Educational TheatreJournal19.1
(March 1967): 52-60.

Cheney, Sheldon. "Gordon Craig: The
Theatre's Chief Revolutionary." Theatre
Arts Monthly Ouly, 1927)
Craig, Edward Gordon. "Ali in the Theatre of
the Future." The TbeatreMagazine, VI
Oune, 1906): 154-56.
- - - . "The Al1ists of the Future." The
Mask Vol. 1, 10. 1.
- - - . The Mask: AJournal ojthe Art oj
tbe Theatre. Florence, Italy: no publisher,
1908-29.
- - - . "To Mme. Eleonora Duse." The
Mask Vol. 1, 10. 1.
God,,~n, Edward W. "The Architecture and
Costume of the Merchant of Venice." Tbe
Mask Vol. 1, No.5 Ouly, 1908).
Hale, Edward E. "MOdern Ideas on Stage Setting." The Dial (1 Dec. 1913): 520-22.
Myers, NOlman. "Early Recognition of Gordon
Craig in American Periodicals." Educational
11Je(Jtl'ejou17lal22.1 (March 1970): 78-86.

Books

Bablet, Denis. Edward Gordon Craig. Trans.
Daphne Woodward. New York: Theatre
Arts Books, 1966.
Craig, Edward Anthony. Gordon Craig. 1 ew
York: Knopf, 1968.
Craig, Edward Gordon. The Art oJThe Theatre. Edinburgh and London: T. N. Foulis,
1905.
- - - . Index to the StOl)1 oJMy Days:
Some Memoirs ojEdward Gordon Craig.
aew YOfR:Vi!



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1998

Contents
Theatre Design & Technology - Winter 1998 - 1
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Theatre Design & Technology - Winter 1998 - Contents
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