Theatre Design & Technology - Summer 1999 - 28

Pilbrow says, "We had to go next door to
floor with Theatre Projects.
the tailor's to borrow another office chair." PilInitially many of these individuals
brow delights in continuing the sto~'. "lIe said,
joined the firm as assistants to take over
'What are you doing, Pilbrow?' I said, 'I am
shows that Pilbrow was too busy to design.
starting a lighting company, sir.' And he said,
As the firm was contracted for more and
'Why? Strand is lighting in Great Britain!' I told
more projects those with various expertise
him, 'Well, I think there is probably room for a
joined the group.
little firm like ours to do some lighting work.'
"We were all working together in a studio," said Pilbrow. ,·It was an amazingly creHe said, 'I don't!'"
Pilbrow said the conversation continative period. There was no rivalry. I've never
ued for some time until the man asked,
understood why no one else has done il."
"Where does your money come from?" Pi!He goes on, "Something happened that
brow says, "Because I iliought it was rude to
made them as successful as they have been.
ask and because I didn't have any money, I
There was an amazing sort of synergy, the
thought it was time to end ilie conversation,"
idea of designers working together in a little
Theatre Projects did
cooperative collective
survive and flourish. The
wins hands down."
Pilbrow still prefers
visit prompted Pi!brow to
think in innovative ways.
to work in a more collecThe Pallern 23, ilie English
tive kind of environment.
miniature profile spots had
He frequently works \vith
just been invented and TheDawn Chiang as an Assoatre Projects stocked iliose
ciate Designer on tlleatre
fixtures. Pilbrow also travprojects. (See sidebar on
p. 24). "I couldn't have
eled to Germany to look at
lighting fixtures and came
done a fraction of what I
back wiili Reiche-Vogel
have done without a
group of fantastic people
projectors and 500 wall,
24-volt Beam Lights. Thearound me." declares Pilbrow. "I need tllat vel)"
atre Projects also purmuch. Teanl\vork is very
chased Lekos from the The Pi/brows at home: Molly,
important. Besides Dawn
nited States. While iliese daughter Daisy, Richard and Thatch.
fixtures are now commonwill always tell me what is
place in many designs, iliey were not in use in
rubbish." On larger shows the producer may
Great Britain at tlle time, Once again, Richard
pay for assistant designers as well.
Pilbrow anticipated the future.
New Visions
The rental portion of TP, Theatre
Projects Lighting Ltd., has since been sepaAs the leader of Theatre Projects, Richard Pilrated from the rest of the company. It is now
brow has revolutionized the way those theatres
owned by Vari-Lite International. Other diviare conceived and constructed in the modem
sions of the firm have branched into other
world. Geoffrey Joyce of Tbe Stage wrote "Richard Pilbrow is one of the world's leading
areas. Technical Projects Ltd. handle the delighting designers and has probably had a
sign and manufacture of various kinds of
sound equipment for production and comgreater influence on the design of post-war
munication. Light Projects Ltd. deals in artheatre buildings than any oilier individual."
chitecturallight fittings and Space Time Ltd.
Initially Theatre Projects was no different
develops computerized box office systems.
than any otller consulting firm. Pilbrow says,
"We did the same thing everyone else did, a
Theatre Projects gradually grew to be a
nice, fan-shaped auditorium. You could not
consortium of designers, consultants, architects, and technical experts. When Richard
have boxes because they were elitist. The sanle
Pilbrow created opportunities for himself he
was said of balconies. I believed all that was
right. Then came the lational Theatre
also helped to launch the careers of many
project."
other now famous lighting designers. Robert
Although Pilbrow was ilie consultant for
Ornbo, John B. Read, Bob Bryan, ick
the ational, the two spaces were effectively
Chelton, Benny Ball, David Hershey, Andrew
designed by what Pilbrow describes as a comBridge, Howard Eldridge, and Steve Kemp
were among those who began on the ground
mittee of the greatest minds in tl1eatre. Those
26

'1I.\t

MER

I

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T O&T



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1999

Contents
Theatre Design & Technology - Summer 1999 - 1
Theatre Design & Technology - Summer 1999 - 2
Theatre Design & Technology - Summer 1999 - 3
Theatre Design & Technology - Summer 1999 - Contents
Theatre Design & Technology - Summer 1999 - 5
Theatre Design & Technology - Summer 1999 - 6
Theatre Design & Technology - Summer 1999 - 7
Theatre Design & Technology - Summer 1999 - 8
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Theatre Design & Technology - Summer 1999 - 27
Theatre Design & Technology - Summer 1999 - 28
Theatre Design & Technology - Summer 1999 - 29
Theatre Design & Technology - Summer 1999 - 30
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