Theatre Design & Technology - Summer 1999 - 31

course... In fact, this summer Daisy began her
first theatre job as a stage electrician for a college company.
Although Molly Pilbrow is American born
she and Richard lived in England for more
than twenty years. Unfortunately, at least nine
months of the year was being spent in the
United States away from their home. In 1988
Pilbrow immigrated to America and they becanle permanent residents of Ridgefield, Connecticut.
Pilbrow's future plans include a new edition of the book. He is also planning a book on
theatre architecture that covers both process
and example. And of course, there will always
be the new shows and the chance to play with
new technology.
When asked about the funlre of lighting
Pilbrow is quick to point out that the things we
think of as being relatively new have indeed
been around for a long time. Pani has been
making remote control focus units since the
early 1950s. Economics is what controls the
speed of the development.
"The WholeHog [lighting control board]
was a real breakthrough. And the new
Vari*Lite board, the VirnlOso, is very interesting. It is an improved Artisan with computer
rendered images. I hate numbers. Rob Shakespeare and some others are working towards
what I would really like to see. I want a threedimensional plan and section where you can
touch any instrument or group and manipulate
it. I think that is where lighting control is going. We need a new interface that makes it even
easier to think in terms of what you want the
lights to do." Perhaps Richard Pilbrow will be
the person to bling that new idea to fruition.
Pilbrow sums up his career by saying,
''I'm incredibly lucky. I've never had a bad job.
In fact, I have acnlally had the same job for
forty-two years, and it is really not a job. It is
more my hobby. You could say I've never done
a day's work in my life because I've never done
it for the money. It always anlazes me. Abloody
miracle." .:.

Ellell E.]olles is co-commissioner oftbe
Ligbting Commission and co-cbair oftbe
USITT Caucus on Human Issues. In
addition to berprofessional design
lDork-sbe bolds United Scenic Artists,
Local 829 credentials as a Iigbting and
scenic designer and a scenic artist-EI/en
is a regular contributor to tbisjolll'l1al.

~~E~fl~it§I
THAT TEACHES SCENIC ART

High quality, custom painted backdrops.
Racbel Keebler

914-583-7025

Kathryn Sbarp

http://v..vvw.fcc.netJcobaltstudios

cobaltstudios@fcc.net

PO Box 79, 5 Royce Road. White Lake, NY 12786

MAKEUP CATALOG
Millennium Edition

Call for your Free Catalog,
poster set and the dealer nearest you.
M

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TZ>&T

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29


http://v..vvw.fcc.netJcobaltstudios

Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1999

Contents
Theatre Design & Technology - Summer 1999 - 1
Theatre Design & Technology - Summer 1999 - 2
Theatre Design & Technology - Summer 1999 - 3
Theatre Design & Technology - Summer 1999 - Contents
Theatre Design & Technology - Summer 1999 - 5
Theatre Design & Technology - Summer 1999 - 6
Theatre Design & Technology - Summer 1999 - 7
Theatre Design & Technology - Summer 1999 - 8
Theatre Design & Technology - Summer 1999 - 9
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Theatre Design & Technology - Summer 1999 - 19
Theatre Design & Technology - Summer 1999 - 20
Theatre Design & Technology - Summer 1999 - 21
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Theatre Design & Technology - Summer 1999 - 23
Theatre Design & Technology - Summer 1999 - 24
Theatre Design & Technology - Summer 1999 - 25
Theatre Design & Technology - Summer 1999 - 26
Theatre Design & Technology - Summer 1999 - 27
Theatre Design & Technology - Summer 1999 - 28
Theatre Design & Technology - Summer 1999 - 29
Theatre Design & Technology - Summer 1999 - 30
Theatre Design & Technology - Summer 1999 - 31
Theatre Design & Technology - Summer 1999 - 32
Theatre Design & Technology - Summer 1999 - 33
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Theatre Design & Technology - Summer 1999 - 36
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