Theatre Design & Technology - Summer 1999 - 84

Scenic Art for the Theatre:
History,Tools and Techniques
By Susan Crabtree and Peter Beudert,
Boston: Focal Press, 1998. ISBN 0-24080187-3,288 pages, 120 illustrations,
27 color plates, includes reading and
resources reference, bibliography and
index, $34.95.
Located in tile back of Scenic A/1for tbe
Tbeatre is a reading and resources list as
extensive as one might find. The section
"General Scenic A.ttiSlJy Reference Publications" lists only six titles: all published between tile 1920s and tile 1980s,
many no longer in Plint. Notably tilere are few books on tile subject of scene
painting, a 2700-YeaJ.c old process, and tlUs work seeks to fill pm1 of tllat void.
Examining tile book's four main divisions: tile role of tile scenic aI1ist, tools of
tile lJ'llde, techniques and tlle hiStOly of scenic art, reveals a unique and WOl
till' conlJibution to tile subject.
Chapter One, "Tl'llining and Working as a Scenic Artist," deals witll vocational aspects of tlle craft. Coveling tile vmiety of venues an mtist may work
in, tlle text also gives succinct advice on tile pros and cons of conlJ'llcting. It
discusses tile roles of unions and tile advantages and disadvantages of union
membership. The second chapter discusses tile role of tlle scenic mtist and
tile scene designer. It also treats tile subject of potential problems in tile
painter/designer relationship; while hierarchies, working relationships, comC

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SUM

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9

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mon Pl'llctices witllin and between departments and individuals is treated in
tlle tllird chapter. TIle final chapter in Part One deals witll tlle aI1ist's working
space. It desclibes tile various spaces necessaIy to prepare and paint scenery,
special equipment, storage needs, as well as demands for lighting, water and
air. It discusses ClllTent and applicable safety standards, codes, regulations
and work Pl'llctices. This chapter features a notable and extensive inventory
for a touch up kit.
"Tools of tile Tl'llde" are topics for tlle second part of tlle book beginning \\~tll painting tools in Chapter Five. The constl1lction and enormous variety of brushes m'e extensively discussed. The section on spl'llyers is tllorough
and includes airless and HVLP spl'llyers. Rollers, sponges, I'llgs and otller
painting implements are listed, even push brooms. (The autllors recommend
plastic blistles for a non-shedding, non-clumping broom for starching
drops.) Chapter Six begins witll an explanation of tlle phy'Sics of color, color
telTninology and mixing tllen moves on to listing tlle elI.1ensive variety of mediums, bindel'S, pigments and finishes cUITently available to scenic aI1ists.
"Prepming for Painting and Texturing Scenery" is tlle final chapter in Part
Two. Proper smface prepm'lltion can make finish painting relatively easy
while improper prepaI'lltion can make it well nigh impossible. The autilOrs
go to considel'llble lengtll in presenting tllis mundane but absolutely vital step
in painting. The constl1lction, prepaI'lltion, priming, problem solving and
handling of drops is especially helpful and detailed. PrepaI'lltions for most
mateIiais one might expect to encounter are listed and specific pIimer/treatment m'e recommended. Equally tllorough and elI.1ensive are tlle sections on
mateIials, tools, and application of te}.1Ures. The breadtll and specificity of
tlUs chapter mm'k tlUs book as an invaluable reference.
Part Three, ''The Techniques of Scenic Painting," covers tile areas most

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Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1999

Contents
Theatre Design & Technology - Summer 1999 - 1
Theatre Design & Technology - Summer 1999 - 2
Theatre Design & Technology - Summer 1999 - 3
Theatre Design & Technology - Summer 1999 - Contents
Theatre Design & Technology - Summer 1999 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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