Theatre Design & Technology - Summer 1999 - 85

readers II·ould expect to find in this book. TIle
eighul chapter deals Ilith cartooning, letteIing
and larout. :\fter introducing Ule tools and techniques for layout and dralling, the principles and
practices of pel pectire are introduced. Another
useful reference section included is Ule use of geomelI~· for canooning. ,-\ mriety of practical and
architecltmtl shapes are illustrated, The chapter
culminates br reliering letteIing. an inlpOI1ant
but often unleamed skill. TIle auUlOrs point out.
"In Ule scenic ans Ulere are two ~pes of of painters: ulOse who can do sign painting and ulOse
II·ho cannot." Chapter 9 mores onto two-dimensional painting technique. The authors confine
ulemselves to an e"1ensive treatment of basic
painting teclmiques. Those seeking a step-by-step
instruction or meulOd for conmlOnly requested
treaunents such as l\"Ood, marble stone, etc., Ivill
not find ulem here. Instead the basic teclmiques
that make up such meulOds are presented. In addition to bl1lsh teclutiques, SPItI)ing and stencil
teclmiques are also covered. AexceUent and extensive presentation of trompe l'oeil uleoI~' and
practice concludes ule chapter. Concluding Ule
Utird paI1 is ··Creating Aging. Decorative. and
Fall'>; FiJtishes Using Multiple Mediums," Touching on a raIiety of futishes and methods, the emphasis is on newer multi-medium teclutiques
developed in Utis centUlY
The final paI1 of utis book, "TIle History of
Sceltic An," is unique in what is OUleI"llise a techltical te"1. In Ulree blief ret ulOrough chapters,
··The Ancient Theau'e to the Medieval Theatre,"
··The Renaissance Theatre and TIle BaI'oque TIleatre: 1400-1800," and ··TIle ROmaIltic Theatre
aIld the Modem Theatre: 1800-ule Present," ule
authors cover ule development aIld evolution of
sceltic an aIld aI1ists, These chapters provide a
context for appreciating and undersk'Ulding past
practices aIld their contlibutions to contempoItII\' practice.
E.\1ensively illustrated in black aIld wltite,
ulere aI'e only eight pages featUling color, Additionaluse of color would benefit ule color theOl}
aIld trompe l'oeil examples, Mille ule auUlOrs
deal IliUl paimiJlg aIld ulree-dimensionalte"1ural
aspects of Ule scenic aI1, sculpltmtl technique is
ontiued, i\evenhele ,Scenic /t11 for the Theatre
is as thorough a study of sceltic painting as CaIl be
lIished. It flUs a much-needed void and Ilillmake
a useful reference for Ule practicing professional
or an invaluable guide for imellnediate advaIlCed
aIld seriously comntilled beginning sltldents.
Rel~elVed by Alfred Sheffield,
AssistaIll Professor/Scene Designer,
GI~Uld VaUey Sk1te UItirersil); fI Udtigt'Ul

T D&T

,('

~I

"

E R

I

9

<)

9

83



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1999

Contents
Theatre Design & Technology - Summer 1999 - 1
Theatre Design & Technology - Summer 1999 - 2
Theatre Design & Technology - Summer 1999 - 3
Theatre Design & Technology - Summer 1999 - Contents
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