Theatre Design & Technology - Winter 1999 - 6

from the

editor

&

THEATRE DESIG & TECH OLOGY
The jOIlT1la/ for
desigll, prodllc/ioll alld lechllology professiollals ill Ihe
performillg arls alld ellieriaillmelli illdllslr)'.

:As

I write this, it's January I, 1999, the beginning of the eleventh hour before the stroke of
2000. What does that mean? There's nothing different about this year from last-I do the same
work, I live in the same house, I'll have another birthday, hang out with old friends, make new
ones. But for me, and millions of others, this year is special, and I find myself doing a lot more pondering than I did last ew Year's Day. Here are some of the questions I'm asking myself:
* Why, as I learn more about technology, and see more wondrous spectacles on the stage, do
I get more enjoyment out of simple, uncomplicated plays?
* Will designers' Web pages make it easier for fledgling designers to get work?
* If most people will have multiple careers in the coming years, will more people choose theatre as one of them?

EDITORIAL OffiCE

DAVID RODGER
Edilor

DEBORAH HAZLEn
Art Direc/or
3001 Springcrest Dr.
Louisville, KY 40241-2755
502-426-1211 fax: 502-423-7467
e-mai!: dkr@broadwaypress.com

ASSOCIATE EDITORS

STEVE POLLOCK
Arcbilec/ure

PEGGY ROSEFELDT & SUZY CAMPBELL
COS/lillie Desigll & Tecbllology

* And the question I have been asking myself for the last three years continues to nag: doesn't
anyone want to write about American designers?

PATRICK M. FINELLI
Computers & Software

NANCY ARNFIELD
Educalioll

What are the questions you ask yourselves? If you send them to me, I'll collate them and publish them in the next issue. No answers, just good questions. That should help us all get millennium-ready, don't you think?
This issue looks backwards and forwards: Frank Mohler's piece about eighteenth century
stage machinery is a very detailed look at the only three extant theatres with working flat wing
change systems; Connie Campbell's chronicle of Josephine Baker's rise to fame in early twentieth
century Paris describes how her costumes (scanty as they often were) tell the tale of her transformation from a nearly naked erotic fantasy to queen of the music hall; Peggy Rosefeldt takes us on a
tour of the new costume shop at the Oregon Shakespeare Festival in
Ashland, Oregon-a shop that sets a very high standard for workerfriendly environments; and Jonathan Darling explains how breaking out of
the stereo box opens up new levels of aural authenticity. We also have an
enticing peek at some of the special exhibitions awaiting conferencegoers at the Toronto Conference & Stage Expo in March; a fun test of our
theatre literacy using words and phrases from Elbin Cleveland's soon-tobe-published theatre dictionary; a USITI recommended practice for
multi-circuit circular pin connectors; and a membership report from Bill
Byrnes, USITI's vice-president for marketing and development.
Thanks to those who wrote to say clever and kind things about my new mug shot. In this issue,
Deborah has really freshened things up with a new cover design and a few inside tweaks as well.
Any comments? -dr

Statements and opinions expressed in articles or editorials in TD&Tare the expressions of the individual contributors and
do not necessarily represent the policies or opinions of the United States Institute for Theatre Technology, Inc. Advertisements appearing in this publication are the sole responsibility of the advertiser.

JERRY GORRELL
Ellgilleerillg

WILLIAM B. HEKTNER
Hea/lb & Safely

RICHARD DEVIN
Ligbtillg Desigll

RICHARD PETERSON
Mallagemell/

ROBERT L. SMITH
Scellic Desigll

RICHARD THOMAS
Soulld Desigll

BILL BROWNING
Teclmical Productioll

NORMA ADLER
Ill/ematiollal jOllmals

ELBIN CLEVELAND
New Product Reviews

SYLVIA J. H. PANNELL
Book Reviews

WILLIAM J. BYRNES
Illside US/TT

CONTRIBUTING EDITORS

ARNOLD ARONSON' JARKA BURIAN·
CECELIA & ERIC FIELDING * SARAH NASH
GATES * JOEL E. RUBIN· BEEB SALZER·
DELBERT UNRUH· TOM WATSON·
ARNOLD WENGROW
ADVERTISING

MICHELLE L. SMITH
Membersbip alld Ad Sales Mallager

TD&T (ISSN 1052-6765) is published 6ve times a year-Winter, Spring, Summer, Fall, and Special Issue (in September)-by United States Institute for Theatre Technology, Inc., 6443 Ridings Road, Syracuse, NY 13206-1111. TD&T is also
known as Tbea/re Desigll &Tee/mology. $14 is deducted from membership dues to cover cost of publication. Periodicals
postage paid at Syracuse, NY and additional mailing offices.* POSTMASfER: Send address changes to TD&T, rio USITT,

6443 Ridings Road, Syracuse, NY 13206-1111. * Copyright © 1999 by nited States Institute for Theatre Technology, Inc.
AU rights reserved. Material in this publication may not be reproduced in any form ,vithout permission.

4

WIN T

E

R

I 9 9 9

T'Z>&T

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Syracuse, NY 13206-1111
800-93USITI I 315-463-6463
fax: 315-463-6525
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Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1999

Contents
Theatre Design & Technology - Winter 1999 - 1
Theatre Design & Technology - Winter 1999 - 2
Theatre Design & Technology - Winter 1999 - 3
Theatre Design & Technology - Winter 1999 - Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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