Theatre Design & Technology - Summer 2001 - 18
counsellors, politicians, leaders, workers, artists, and still be creative cooks. The combination of women and scenographers is alchemy.
I have not invented scenography. It is not
a new religion or even a new idea. It's just that I
have begun using and speaking the name, and
others do it too. And to everyone's surprise the
world does not come to an end. Life appears to
go on much as before. But there is a difference-scenographers who work with space,
with actors, light, or scenically, do have a new
voice. They are heard, and people do use the
word, openly and with less and less hesitation.
We have come out, become visible, and with that
have actively accepted the responsibilities for
change that go with a new description. We are
now able to say, just as people before have identified themselves with a group, "I am a scenographer." International boundaries are disappearing, while individual groups develop clearer
identities. If theatre mirrors life, then the strict
demarcations between theatre disciplines-architecture, light, direction, writing-are also
merging, into a different kind of creation, in
which the scenographer is a major player.
The principles of scenography are the
principles of Art. The seventeenth-century
painter, Jean Siméon Chardin, challenged the
status quo of the French Academy to re-assert
his belief in Art as the communicator. He rejected the large, purely narrative picture in favor of focussing the viewers' attention on the
familiar-but selected for them by the artist's
eye. A teacup, a jar of apricots, a silver
spoon-he makes the ordinary appear extra
ordinary. Objects and figures become, as in
theatre, emblematic, the carriers of the myth,
heightened by darkness and light, and adding
value to the empty space. All the elements of
scenography are contained in the geometric
spaces placed within the conventional frame.
Chardin is a teacher for theatre artists, for as
the painter Mark Rothko said 250 years later,
"in simplifying the present, he re-invents the
future."-and that is scenography.
What is scenography? It is the seamless
synthesis of space, text, research, art, actors,
directors and spectators that contributes to an
original creation. ❖
Stageworks;
b/w; p/u summer00 p. 63;
drop rules
Pamela Howard is a scenographer and
theatre director. She is Professor of
Scenography at Central Saint Martins
College of Art and Design London, and a
director and producer of Opera
Transátlantica. Her new book, What is
Scenography?, will be published in the fall.
TD & T
S U M M E R
2 0 0 1
17
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2001
Contents
Theatre Design & Technology - Summer 2001 - 1
Theatre Design & Technology - Summer 2001 - 2
Theatre Design & Technology - Summer 2001 - 3
Theatre Design & Technology - Summer 2001 - Contents
Theatre Design & Technology - Summer 2001 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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