Theatre Design & Technology - Spring 2002 - 26

Just as in years past, St. Petersburg's cultural
life continues to withstand the uncertainties of
natural and man-made disasters. Solomon
Volkov speaks of a legend in his book, St. Petersburg: A Cultural History. The story goes that the
city will endure as long as Falconet's great
equestrian statue of Peter the Great, known as
the Bronze Horseman, remains stationary and
intact. Perhaps he would agree that as long as
one can see a mobile Bronze Horseman only at
a performance by the Interierny Theatre, both
citizens and admirers from around the world
will continue to enjoy St. Petersburg's many
spectacles.

Konnov, A. P. and I. V. Stupinkov. 1976. Teatr
opery i baleta imeni C. M. Kirova [The
Theatre of Opera and Ballet named for
S. M. Kirov]. Leningrad: Muzyka.
Kovtun, Evgenii F., et al., eds. 1988. Pavel
Nikolaevich Filonov [Exhibit Catalog].
Leningrad: Aurora.
Petrova, Evgenia, ed. 1997. Red in Russian
Art. St. Petersburg: State Russian Museum/Palace Edition.
---. 1996. Simbolism v rossii (Symbolism in Russia). St. Petersburg: State
Russian Museum/Palace Edition.

Pozharskaya, Militsa and Tatiana Volodina.
1990. The Art of the Ballets Russes: The
Russian Seasons in Paris 1908-1929.
New York: Abbeville Press.
Radzinsky, Edvard. 1992. The Last Tsar: The
Life and Death of Nicholas II. New
York: Doubleday.
Segel, Harold B. 1979. Twentieth Century
Russian Drama: From Gorky to the
Present. New York: Columbia Univ. Press.
Sutcliffe, Mark, ed. 1998. Nicholas and Alexandra:
The Last Imperial Family of Tsarist Russia. New York: Harry N. Abrams, Inc.

Works Cited
Baer, Nancy Van Norman, ed. 1991. Theatre
in Revolution: Russian Avant-Garde
Stage Design 1913-1935. New York:
Thames and Hudson.
Bowlt, John E., ed. 1988. Russian Art of the
Avant-Garde: Theory and Criticism.
New York: Thames and Hudson.
Proffer, Carl and Ellendea, eds. 1975. The
Silver Age of Russian Culture. Ann Arbor, MI: Ardis Press.
Salisbury, Harrison E. 1969. The 900 Days:
The Siege of Leningrad. New York:
Harper and Row.
Tovstonogov, Georgii. 1972. The Profession of
the Stage Director. Moscow: Progress
Publishers.
Volkov, Solomon. 1995. St. Petersburg: A Cultural History. New York: The Free Press.

Ben Nye Makeup; b/w; p/u

Works Consulted
Gibian, George and H. W. Tjalsma, eds. 1976.
Russian Modernism: Culture and the
Avant-Garde, 1900-1930. Ithaca, NY:
Cornell University Press.
Golubenkova, G.M., ed. 1989. Russkaia
futuristicheskaia kniga [Book of Russian Futurism]. Moscow: Kniga.
Gray, Camilla. 1970. The Russian Experiment
in Art 1863-1922. New York: Harry N.
Abrams, Inc.
Green, Michael, trans. and ed. 1986. The
Russian Symbolist Theatre: An Anthology of Plays and Critical Texts. Ann
Arbor, MI: Ardis Press.
Kharitonova, Irma, ed. 1991. The World of Art
Movement in Early 20th Century Russia.
Leningrad: Aurora Art Publishers.

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Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2002

Contents
Theatre Design & Technology - Spring 2002 - 1
Theatre Design & Technology - Spring 2002 - 2
Theatre Design & Technology - Spring 2002 - 3
Theatre Design & Technology - Spring 2002 - Contents
Theatre Design & Technology - Spring 2002 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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