Theatre Design & Technology - Summer 2007 - 38

story of the Horatii was painted. It was
done very well, giving the appearance of
having been made of marble. Two small
frames in the pilasters that supported
the arch had figures of Victories holding
trophies. They were done in plaster relief.
An equestrian figure was on top of the
arch. It was in full relief, displaying a fine
gesture and with a lance, wounding a
naked man which lay at its feet. On either
side of the horse there were braziers,
each one blazing with fire which lasted
throughout the performance. (Castiglione,
1512).12
This elaborate description leaves little
doubt about the complexity and details of the
work. That it took four months to build it is not
surprising. The houses and architectonic elements of the set were beautifully executed in
minute detail, yet it was all backed by a perspective painting "a good one canna" up-stage of the
back wall. The wall was an excellent device to
separate the three-dimensional scenery from

Figure 7. Reconstruction by A. Bruschi (1969) of Peruzzi's Campidoglio design

the painting behind it and enhance the illusion.
A vanishing street may have been painted behind
the center-stage arch to complete the illusion.

Baldasare Peruzzi
Baldasare Peruzzi was an Italian painter and architect who was born in Siena on 7 March 1481
and died in Rome, 6 January 1536. Educated in
his homeland, apparently under the influence of
Pinturicchio, he moved to Rome together with
Andrea del Volterra in 1503.
Peruzzi first appears as a theatrical designer on 18 September 1513 with his collaboration on the arrangements for conferring Roman
citizenship on Julian and Lorenzo de Medici,
brother and nephew, respectively, of Pope Leo
X. A Roman-style theatre was erected in the piazza between the Church, Ara Coeli,13 and the
conservatory on the Campidoglio. Peruzzi's plan
of the theatre14 shows a rectangular ground plan
of the structure. A reconstruction of the design
shows a Roman style theatre whose design was

probably based on Vitruvius (fig. 7).15
Of the many designs by Peruzzi which have
come down to us, including his own sketches
and those by his students, about fifteen are scenographic in character. Two, preserved at the
Uffizi Gallery Archives in Florence, have been
identified as drawings for the Bacchidi performed in Rome at the Casa Cesarini in 1531.
A scenic rendering, preserved at the Biblioteca
Communale in Sienna, has also been identified
by the author as a design for the Bacchidi, as
well as second and unfinished rendering for the
Bacchidi preserved in the Fullero Collection at
the Drottningholm Museum in Sweden. A third
drawing at the Uffizi Gallery has traditionally
been attributed to Peruzzi as a design for La Calandria performed in Rome in 1514.

Miscellaneous Drawings
A sketch from his Taccuino (fig. 8)16 shows an
early concept in the design process. The arcades stage-right and the center arch backing

THEATRE
SUMMER

2007

DESIGN

&

TECHNOLOGY

37



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2007

Contents
Theatre Design & Technology - Summer 2007 - 1
Theatre Design & Technology - Summer 2007 - 2
Theatre Design & Technology - Summer 2007 - 3
Theatre Design & Technology - Summer 2007 - Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
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