Theatre Design & Technology - Summer 2007 - 40

La Calandria - Rome 1514

Figure 10. Design by B. Peruzzi of "The Shop on the Corner"

La Calandria takes place in Rome and the design (fig. 1, p. 33)18 depicts the city, represented
by various monumental buildings of Renaissance and ancient times. They are: the Coliseum,
Tower of the Milizie, Campanile of St. Lorenzo
in Miranda (to the left in the drawing), Arch
of the Argentieri in Foro Boiardo (center arch
at the end of the perspective vista) the Vatican
obelisk in St. Peter's Square, Column of the Triana, Castel Sant' Angelo (Hadrian's Tomb), and
the three columns Temple of Castor and Pollux in
the Forum (to the right of the drawing). The flat
forestage is backed by a curb where the rake of
the vista begins.
The open shop setting on the curb can be
used in the action of the play as the down-stage
side is proportionate to the scenery in the forestage. A set of steps lead from the shop to the
floor of the vista and a door opens to the forestage for practical use in the performance.

The Shop on the Corner
Though Peruzzi renders this drawing (fig. 10)19
in a continuous perspective and without a curb,
there clearly is a street separating the ornate
architecture on the forestage from the vista behind it. An actor is stepping out of the door of
a delicatessen in the down-stage-left house of a
vista. Slaughtered chickens hang in the adjoining
window while a cat is helping itself to a snack.
The actor in the door appears to be posed to
drive away the cat while a lady with a book in
her hand looks onto the scene from a window
above. The "shop on the corner" appears to have
been a common design element in the comic
scene. It appears in Serlio's comic scene as well
as in Sabbattini's designs much later.20

The Bacchidi - Rome 1531
This set design of the Bacchidi (fig. 11) from
the Pinacoteca Nazionale in Sienna21 is signed
by Peruzzi but the performance for which it was
designed is not indicated. However, the details
in this design and those in the ground plan and
elevation preserved at the Ufizzi Gallery, identified as drawings by Peruzzi for the Bacchidi, are
commensurate in details, confirming that it is
the design for Plautus's Bacchidi,22 performed
in Rome at the Casa Cesarini in 1531.
The same design (fig. 12) is seen in
the rendering at the Fuller Collection of the
Drottningholm Museum.23 Though lacking a

vista and back-scene details, it shows complete
details of the forestage portions of the set, right
and left, as well as the lower forestage which are
lacking in the Sienna drawing. Together, one
gets a complete vision of the scene.
A large, lower performance space is in
front of the forestage. It probably is an accommodation for the dancers and players of the
intermezzi as Renaissance performance was
studded with dancing, usually moresche or
similar mimetic intermezzi between each act
and as a finale at the end of a play. The space is

contained within the scene, bounded by building fa├žades on either side. There are no steps
leading up to the forestage, indicating that entrances were made from right and left.
The buildings in the design all replicate
well-known buildings in Rome at the time. The
Coliseum is seen in the stage-right background
and the Pantheon is stage-left with its loggia extending into center stage. Castel Sant'Angelo is
the back-scene for the vista. The Vatican Obelisk
and Trajan's Column also rise above the scene
in the background.
THEATRE

SUMMER

2007

DESIGN

&

TECHNOLOGY

39



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2007

Contents
Theatre Design & Technology - Summer 2007 - 1
Theatre Design & Technology - Summer 2007 - 2
Theatre Design & Technology - Summer 2007 - 3
Theatre Design & Technology - Summer 2007 - Contents
Theatre Design & Technology - Summer 2007 - 5
Theatre Design & Technology - Summer 2007 - 6
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