Theatre Design & Technology - Winter 2007 - 60

was cut and constructed. Some of the patterns
still have instruction sheets. Sadly, these do
not seem to be included with the images in the
archive.
Derick Ariyam, who was responsible for
the application design and programming, has
made this archive easy to install and use.
I had initially wondered, why put this collection on the computer? Why not just print
all the information in books? However, the
amount of research on these three discs would
fill at least ten hefty books, perhaps more.
There are over 18,000 patterns, ranging over
a hundred years. How convenient, then, that
we can condense large amounts of research
to three thin CDs and view all the images at
the click of the mouse. The search option was
helpful, although the fun for me was just clicking through all the images like a book. When I
have a specific project to research, I'll go back
to the search option and use it to find particular type of garment.
If you you'd like to sample the archive, go to
www.uri.edu/library/special_collections/COPA/
index.html. At this Web site, I discovered there
was a software "patch." I installed it, although
there seemed to be no change in the functioning
of the program. I also learned that this program
is not suitable for Mac computers.
The Commercial Pattern Archive is a
strong collection, but especially strong for
1940s and 1950s women's patterns. The next
time one of my student needs research for
any time between 1868-1968, this archive will
probably be the first thing I will suggest. Using
other books to fill in the gaps for men's clothing (only 797 patterns for men and boys out
of 18,989) and other sources of primary research, a student or professional should have
no shortage of images to design or construct
a project.
My thanks to the creators of these publications. I will use them in the future and urge
all costume technicians, designers, historians,
and enthusiasts to seek them out. Purchase
them for your personal or educational collection and make good use of them.

Laurel Dunayer, costume shop supervisor
at George Mason University, has an M.F.A. in
costume design from University of Illinois
at Urbana-Champaign and worked four
years at Carelli Costumes in New York.
She has also worked at the Alley Theatre,
American Players Theatre, and the Colorado
Shakespeare Festival.

THEATRE

Copyright 2007 United States Institute for Theatre Technology, Inc.
WINTER

2007

DESIGN

&

TECHNOLOGY

59


http://www.uri.edu/library/special_collections/COPA/

Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2007

Contents
Theatre Design & Technology - Winter 2007 - 1
Theatre Design & Technology - Winter 2007 - 2
Theatre Design & Technology - Winter 2007 - 3
Theatre Design & Technology - Winter 2007 - Contents
Theatre Design & Technology - Winter 2007 - 5
Theatre Design & Technology - Winter 2007 - 6
Theatre Design & Technology - Winter 2007 - 7
Theatre Design & Technology - Winter 2007 - 8
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
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