Theatre Design & Technology - Spring 2008 - 71

book

reviews
Let's Put on a Show!

Theatre Production for Novices
By Stewart F. Lane; Portsmouth, NH,
Heinemann, 2007. 166 pp. Paper, $17.95.
Reviewed by Tom Jeffords
At just over 150 pages, Stewart F. Lane's howto book on "putting on a show" is exactly as
he describes it in his introduction: "a broad
(my emphasis) overview of the process."
Lane has the varied background to draw
on. He cut his teeth working summer stock,
apprenticed at the New Jersey Shakespeare
Festival, house managed a Broadway theatre, is the author of
two plays and has spent some time onstage as an actor as well.
He also has three Tony Awards as a Broadway producer, most
recently for Jay Johnson: The Two and Only in 2007. A career
spanning over thirty years and this diverse speaks volumes not
only about the author's expertise but his enthusiasm and love
for the process of making theatre. It is this enthusiasm that is
apparent, and consistently so, throughout Let's Put on a Show!
The book's ten chapters may serve the true novice producer well as a handy introduction to many aspects of theatre
producing, but it lacks the depth of content about any one aspect to be useful as a stand-alone resource. If you are looking
for a single manual on producing for theatre, you will need to
keep looking. Nevertheless, Lane is most successful in his chapters called "Time Lines and Schedules" and "Marketing and
Promotion." In the first, he provides a nuts-and-bolts schedule
for producers which finally shows the author's credentials in
action. The checklist laid out is thorough, yet flexible enough
to easily apply to most situations and circumstances. In the second, he touches on many useful marketing approaches, some
more obvious than others, whether you are operating with a
huge budget or with no budget at all.
There is an idealism and a light, conversational tone in
his writing that is winning, but Lane's book ultimately confused
me. The title says "Theatre Production" but his readers would
be better served if he clarified whether he's writing a book on
producing theatre, which is one thing, or on theatre production, which is an entirely separate thing dealing more in the
technical aspects of putting on a show. There are times that he
tries to do both and, in those places, seems least authoritative.
His descriptions of job duties for certain technical staff positions, for example, do not apply to any organization that I have
ever been a part of.
The title also tells us the book is for "novices." However,

70

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technology

S P R I N G

2008

throughout the book there is a back-and-forth shift in the kind
of information the author provides. He alternates between describing the process simply and clearly, assuming a novice level
of his reader, and then jumping into how the process plays out
for a Broadway producer. Either way, his approach to identifying and overcoming the obstacles a production most likely
will encounter is full of common sense, if not especially new
insights. I greatly appreciate his emphasis on process and on
compromise and flexibility, asserting in different ways throughout the book that, "safety concerns aside, there are very few
definitive 'rights' and 'wrongs' when working in the theatre."
We all need that little reminder from time to time.
Tom Jeffords is an Equity stage manager who has
worked on tours of Chita Rivera: The Dancer's Life, Julie
Andrews' production of The Boy Friend, The Exonerated
in London and Dublin, and most recently, The Drowsy
Chaperon.

Careers in Technical Theatre
By Mike Lawler; New York, Allworth Press, 2007. 275pp.
Paper, $19.95.
Reviewed by Scott Secore
I am always searching for new ways to give my students the
big picture of our highly complex and fascinating field. So I
eagerly anticipated Mike Lawler's debut text, Careers in Technical Theatre. Finally someone took the time to analyze the
depths of this industry and compile a comprehensive book detailing the behind the scenes jobs, ranging from management
to craftspeople. When I was a theatre student, excited about
starting a career, a well-developed reference manual such as
this would have been highly welcomed. This book's arrival may
be late for seasoned theatre veterans but it's right on schedule
for those following in their footsteps.
The book is in five parts, beginning with Management, followed by Scenery, Audio/Visual, Costumes and Other. In each
chapter there's a general overview highlighting the various positions most commonly available to job-seekers. Lawler addresses all the standard jobs (scenic, lighting, costume and sound
designers, for example, technical director, master electrician,
stage manager, etc.), but his inclusion of very important, yet
often overlooked and understated, roles such as milliner, wig
master, company manager and sound engineer, was refreshing.
As new forms of media arise, and older forms change, their influence and impact on our growing industry are becoming quite
substantial. So Lawler's ability to see this potential and recognize



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2008

Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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