Theatre Design & Technology - Spring 2008 - 73

book

reviews
and Web sites.
One last note. The chapter on Sound
Design says this specialty is not a recognized category for the Tony Awards. As of
the 2007-2008 season, productions were
eligible for awards for Best Sound Design of
a Play and Best Sound Design of a Musical.
Despite these flaws, Careers in Technical Theatre is a terrific text that would,
and should, find a comfortable home on
the bookshelf of any library or any theatre
teacher at any level. It is an easy read with
plentiful resources. It would behoove young
theatre technicians and artisans to give this
book a look during their academic careers
to familiarize themselves with the range of the industry. Those
outside education who may be producing theatre or seeking
to add a sense of professionalism to their existing programs
(community theatres, churches, for example), will also find
this book a valuable reference for understanding the ins and
outs of being backstage.

Pictorial Illusionism: The Theatre of Steele MacKaye.
Sokalski's introduction lets us know what to expect: quite
simply, an investigation of "MacKaye's twenty-two years in theatre, when he sought to realize a unique vision." He then traces
the development of MacKaye's vision of pictorial illusionism
from its conception to his near deathbed realization that the
novel might be a better form to realize the perfection of illusion. Written in a lucid and readable style, the book is neatly
organized into six chapters, each examining in detail some aspect of MacKaye's theatrical working life.
Sokalski first's chapter investigates MacKaye's artistic
foundations. Here are background and biographical information, as well as influences on his later work. An analysis of
the young MacKaye's original paintings and photosculptures
establishes his developing aesthetic, as well as his ongoing
quest to render creatively accurate imitations of the real
world through art. (They also made me wish that at least
some of the book's illustrations had been in color.) Here also
are MacKaye's early training and work as an actor, orator and
as the messenger who brought Delsarte's system of acting and
oratory to the U.S.

Scott Secore is a technical theatre specialist in the
department of English and theatre at Eastern Kentucky
University.

Spectacular Realism

Pictorial Illusionism

The Theatre of Steele MacKaye

By J.A. Sokalski; Montreal, McGill-Queen's University Press,
2007. 315 pp. Cloth, $55.00.
Reviewed by Kimberly Poppiti
The genius of Steele MacKaye, the actor,
playwright, producer and manager who died
in 1894, is not widely recognized. His name
is usually mentioned in even the most basic
of theatre texts, but his story is rarely told
in detail. Typically, he is limited to a brief
reference as a theatrical innovator, usuall
y alongside the requisite 1884 image from
Scientific American of the elevator at his
famed Madison Square Theatre. This may
be enough for theatre appreciation students, but anyone seriously interested in theatre should know
more. J.A. Sokalski, who teaches theatre and film at McMaster
University, provides the first comprehensive study in his book

72

theatre

design

&

technology

S P R I N G

2008

Sokalski next examines in depth MacKaye's first major theatrical project, the Madison Square Theatre. Three chapters focus on, respectively, his concept for the theatre, the innovative
designs and inventions he employed there and his uniquely
comprehensive management style. With this theatre, MacKaye
joined other contemporary innovators and inventors in a quest
to present spectacular realism on the theatrical stage. His most
notable compatriots were Neil Burgess, who patented numerous theatrical apparatuses for special effects during the late
nineteenth century, and the team of Klaw and Erlanger, who
used newly patented designs as well as imitations of images
drawn from art history to craft an authentic-looking theatrical
production of Ben-Hur. Like them, MacKaye "used his knowledge of emerging technologies to support his concept of theatre." What set MacKaye apart was the completeness of his plan
of attack. "All aspects of this concept-the theatre's physical
structure, the innovations incorporated into the building, and
his management of it-combined to set the aesthetic stage on
which he placed his pictures." MacKaye not only designed and
presented illusions, he created a world in which these illusions
would flourish.
Sokalski then focuses on MacKaye's work with Matt Morgan's Civil War cyclorama, for which MacKaye wrote and delivered an extensive oration, and (my favorite MacKaye project)
his ambitious theatrical adaptation of Buffalo Bill Cody's Wild
West Show, "The Drama of Civilization." Both projects required



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2008

Contents
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