Theatre Design & Technology - Winter 2008 - 18

SEEING WITH THREE EYES
Designing for Different

Media

HOLLY POE DURBIN
"Rolling!" the first assistant director called, and the film crew working the
outdoor set huddled silently, checking the shadows we cast on the ground to
ensure no dark spots appeared in the shot. It was bitterly cold in the New Mexico
desert; the rising sun was not yet strong enough to heat the air. I stuffed my
hands in my pockets where I kept chemical heating pads to warm my fingers.
I was working my first film job as a set costumer for the
CBS mini-series Buffalo Girls. An experienced costumer left the
project suddenly, and I was promoted from working with extras
to dressing Melanie Griffith. I studied her costume designed by
Van Ramsay. Eager to learn from such an accomplished designer, I used the time to note how the colors and textures reacted
with day light. Soon I heard "CUT" from the director, and I flew
in with a fur coat to warm Miss Griffith between takes. I was getting the hang of this business, I congratulated myself.
The rest of the crew gathered under a sun shade to watch
the play- back on a portable monitor. Some pointed to the
screen while conferring. The director decided to shoot another
take, and we scrambled to reset the scene. "How'd she look?"
the first AD asked me, referring to my charge, Miss Griffith.
"Great!" I replied, relieved I'd studied her costume so carefully. "How can you tell? You weren't watching the monitor."

he replied curtly. The self satisfied smile melted right off my
frozen face. Although I understood the basic concepts of film,
it never occurred to me looking at the scene with my own eyeballs wasn't good enough. The only eye that mattered was the
camera lens.
Since then I've worked in many storytelling media, and
I've had the same realization over and over: the medium affects
not only the design parameters, but also the kinds of stories
we tell. Designers are visual storytellers, adjusting our skills
to best advantage for each medium, and many of us work in
more than one medium in our careers. For this article, I've
talked with several designers to compare their experiences in
different media. Marcy Froehlich is a freelance costume designer working in theater, film, television and video games; veteran video game designer Joel Goodsell; lighting designer Tom
Ruzika who creates themed environments as well as theatrical

W I N T E R

2008

THEATRE

DESIGN

&

TECHNOLOGY

17



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2008

Contents
Theatre Design & Technology - Winter 2008 - 1
Theatre Design & Technology - Winter 2008 - 2
Theatre Design & Technology - Winter 2008 - 3
Theatre Design & Technology - Winter 2008 - Contents
Theatre Design & Technology - Winter 2008 - 5
Theatre Design & Technology - Winter 2008 - 6
Theatre Design & Technology - Winter 2008 - 7
Theatre Design & Technology - Winter 2008 - 8
Theatre Design & Technology - Winter 2008 - 9
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Theatre Design & Technology - Winter 2008 - 18
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