Theatre Design & Technology - Winter 2008 - 39

Figure 18. Photo of "Sun Valley," 1939 Casa Mañana Marches On. Perry C. Coldwell Photograph, courtesy of
Perry Scott and Sherilyn R. Coldwell.

They concurrently designed and staged Cleveland's Aquacade,
starring Johnny Weissmuller and Eleanor Holm (soon to become the second Mrs. Billy Rose). The finale of the Cleveland
production was a carbon copy of Casa Mañana's "It Can't Happen Here." Subsequent versions of the Aquacade were produced in 1939 for the New York World's Fair and in 1940 for
the Golden Gate Exposition celebrating the opening of the new
Golden Gate Bridge in San Francisco starring Esther Williams.
Rose went on to open an indoor night club version of Casa
Mañana in Manhattan, complete with a revolving slip-stage.
Although the Casa Mañana night club was short lived, Rose
took the model of the Frontier Palace and redesigned the Texas
honky tonk with a more upscale flair, and opened it as The Diamond Horseshoe. Anderson, Johnson, Du Bois, and Winckler
all worked with Rose into the 1940s on most these projects.
Once again, the citizens of Fort Worth did not want to give
up their "House of Tomorrow" after the close of the 1937 season. Although Rose and his team were no longer a part of the
plan, new shows were produced for both the 1938 and 1939
summer seasons. To disassociate themselves from the Rose

38

THEATRE

DESIGN

&

TECHNOLOGY

W I N T E R

2008

controversy, the board of directors decided to sell most of the
Frontier Fiesta's portable assets, including sets, costumes, and
props to nostalgic souvenir hunters. One practically minded
customer offered "$10 for the mountains from 'The Last Frontier,' claiming he could salvage enough lumber to add a new
wing to his dairy barn" (Jones 1999, 141). Only the Frontier
Palace and Casa Mañana structures were not razed.
The board of directors engaged the Music Corporation
of America (MCA) to produce the 1938 Casa Mañana Revue.
Producer Lou Wasserman and director Paul Oscard maintained
Rose's formula of combining big-name bands with nationally
recognized headline talent, but instead of packaging a show
for an entire season, new acts were rotated in and out of the
production on a regular schedule. MCA booked a number of
headliners for the summer season, including the Wayne King
Orchestra, tenor Morton Downey, and for the closing week,
Edgar Bergen and Charlie McCarthy. The scale of the scenery,
however, was reduced significantly. Beth Lea, one of Rose's
showgirls, longed for the opulence of the Rose era: "It just
wasn't as pretty after that. Billy Rose had the money-he was



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2008

Contents
Theatre Design & Technology - Winter 2008 - 1
Theatre Design & Technology - Winter 2008 - 2
Theatre Design & Technology - Winter 2008 - 3
Theatre Design & Technology - Winter 2008 - Contents
Theatre Design & Technology - Winter 2008 - 5
Theatre Design & Technology - Winter 2008 - 6
Theatre Design & Technology - Winter 2008 - 7
Theatre Design & Technology - Winter 2008 - 8
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