Theatre Design & Technology - Winter 2008 - 40

bankrolled; these people weren't. They [MCA]
were just people who came in to make a little
money and spend as little as possible" (Jones
1999, 146).
The year 1939 marked the fourth and final
season for the Casa Mañana amphitheatre. Following the model of the 1938 season, Casa Mañana Marches On was produced by the William
Morris Agency. They drew upon a large stable
of headliners rotating in and out of the production, featuring, Ray Bolger, Eddie Cantor, Martha
Raye, and the comedy team of George Burns and
Gracie Allen. Only Carlton Winckler returned
for the 1939 season as associate producer and
technical director. Large production numbers
were interspersed throughout the evening in
between the main acts. Although there was no
direct evidence to prove this assumption in the
archives combed for this project, he may have
had a hand in designing the last major technical
effect for the Casa Mañana stage. For the "Sun
Valley" number (fig. 18), a sheet of a newly developed plastic was laid on the deck as an ice
skating rink. Stagehands repaired the "ice" using a blowtorch to smooth the gouges from the
chorus of ice skating beauties.
The large revolving stage turned for one
last time on 4 September 1939 to the strains
of Dana Suesse's signature song penned for the
original 1936 Casa Mañana, "The Night Is Young
and You're So Beautiful." Three days earlier,
Germany had invaded Poland. The day before closing, France
and England had declared war on Germany. That evening the
pre-show dancing was halted to broadcast Franklin Roosevelt's
address to the nation which closed with his solemn vow, "As
long as it remains in my power to prevent, there will be no

blackout of peace in the United States" (Jones 1999, 153). The
show finished without interruption, but the mood had turned
somber for the rest of the evening.
Although he maintained his friendship with Amon Carter
until Carter's death in 1955, Rose returned to Fort Worth on
only one other occasion. On 13 March 1954, Rose came to
Fort Worth for a nostalgic visit after a seventeen-year absence.
Little evidence of the glory of "Fort Worth's Great White Way"
remained. Only the Pioneer Palace, painted a tasteless green,
was still standing. Of the graceful blue and white arched Casa
Mañana Amphitheatre, only the star shaped fountain and the rusting skeleton of the revolving stage remained (fig. 19). Longtime
Fort Worth entertainment critic, Jack Gordon, who met and covered Rose seventeen years earlier at the Centennial Fiesta, wrote
about Rose's visit: "With a bitter laugh, Rose told this Reporter at
his side: 'If you ever write anything about this junkyard, don't
forget to mentioned that I had the world's longest bar in my
Casa Mañana. It was 50 feet long. Now that's something a man
would like to be remembered for'" (Gordon 1986, 6). ❖
Annie Cleveland is a freelance costume designer and
teaches with Barry Cleveland in the department of
theatre at California State University, Northridge.

ACKNOWLEDGEMENTS
The authors wish to thank the Department of Theatre and the
Mike Curb College Of Arts, Media, and Communication at California State University Northridge for their generous funding
support to visit to key collections in Fort Worth and New York.
A debt of gratitude is also owed to the curators maintaining the
collections where we were afforded the opportunity to gather
the materials for this project:
* Brenda McClurkin, Special Collections, University of
Texas at Arlington Library, Arlington, Texas;

Figure 19.
Photograph of abandoned
Casa Mañana stage machinery.
Courtesy Fort Worth StarTelegram Collection, Special
Collections, The University
of Texas at Arlington Library,
Arlington, Texas.

W I N T E R

2008

THEATRE

DESIGN

&

TECHNOLOGY

39



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2008

Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com