Theatre Design & Technology - Winter 2008 - 62

eral researcher, if one could compare annotations of early
publications with those for later books on the same topic. But
because there is no mechanism for bringing together all such
works (see subject index, lack of, above) there seems to be
little point to it. Poor marks again, for annotations.
I began this review committed to the idea that there is
still a place for bibliographies among the various kinds of
tools that people use to locate information. When good ones
appear, libraries ought to buy them and make sure that their
readers know what they are and how to use them. It's hard to
make that case for a book that seems to put so many barriers
in the way of the effective and efficient retrieval of its contents, whatever its other virtues might be. It wouldn't be hard
to make this into a really useful book. Maybe if there's ever
another edition someone will take the trouble to do it. Until
that happens, though, only the most specialized collections
will find a place for it.
Annette Fern is a reference librarian specializing in
the performing arts. She retired in 2003 as research and
reference librarian at the Harvard Theatre Collection.

Theatre Management

Producing and Managing the Performing Arts

By David M. Conte and Stephen Langley; Hollywood, CA:
Entertainment Pro, 2007. 580 pp. Paper, $43.00.
Reviewed by Patrick Donnelly
Bigger can be better in the world of nonfiction publishing. With more pages available, there is opportunity for broader coverage and deeper discussion.
These two attributes define Theatre Management:
Producing and Managing the Performing Arts, for it
is topically vast and frequently offers detail where it
benefits most. But as the de facto fourth edition of a
seminal arts administration book, this is no surprise.
It's been thirty-three years between the initial
release of Stephen Langley's Theatre Management
in America and the appearance of this revised and
slightly re-titled version. Langley, who died in 1997, was the
general manager for the Brooklyn College Center for the Performing Arts, created and led the graduate degree program in
performing arts management there and was general manager
of the Falmouth Playhouse on Cape Cod for more than twenty

W I N T E R

2008

THEATRE

DESIGN

&

TECHNOLOGY

61



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2008

Contents
Theatre Design & Technology - Winter 2008 - 1
Theatre Design & Technology - Winter 2008 - 2
Theatre Design & Technology - Winter 2008 - 3
Theatre Design & Technology - Winter 2008 - Contents
Theatre Design & Technology - Winter 2008 - 5
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