Theatre Design & Technology - Spring 2009 - 43
paints. Even though they are emitting their own light, the paints
still have reflective properties, and can be affected by the color
of the light that is hitting them.
Color mixing with ultraviolet paints has great possibilities,
but requires a lot of patience and testing because of unusual
nature of this "glowing" paint.
Phosphorescent Paint: Phosphorescent paints continue to glow after the light source is removed. They are not
often used in sets or costumes but some stage managers like
to use them for spike marks or for exit stairs. However, their
fluorescent properties are worth exploring. Usually, the length
of time phosphorescent paint emits its own light is based on
the strength of the charging light, and the length of time the
paint was exposed. These paints are different from other types
of fluorescent paints because they can be charged with a wide
spectrum of light, not just Uv. Keep in mind that while Uv light
doesn't need to be present for these paints to glow, when the
lights go off, the effect fades rather quickly.
These paints are limited to green in their color palette,
but in figure 5 you will see some interesting results when
phosphorescents are mixed with other fluorescent paints. Notice how some tints of the greenish glow are possible when
mixed with standard and invisible Uv paints. Also note how
the intensity of the phosphorescent paint is affected by different
base coats. You can see the grayscale column where the Phosphorescent Green is painted over a grayscale base. This shows how
you will lose the intensity of the effect on different base coats.
I also found that when mixing the phosphorescent color
into the fluorescent paints, thinning them resulted in smoother
application. The thinned Rosco paints changed in value somewhat, but not the Wildfire paints.
Invisible Chalk
The samples of invisible chalk in figures 6a, b, and c demonstrate an interesting addition to the ultraviolet arts. both invisible and standard fluorescent chalk are available. The invisible
chalk works the same way as the invisible paints, however, it
does leave a white texture on the surface, which shows up on
dark colors, but not on light colors or whites. Sky and water
affected
the phosphorescent paint is
by
... you will
the intensity of the effect on different
lose
UndEr wHITE lIgHT
base coats.
UndEr UlTrAVIolET lIgHT
"glow In THE dArK"
golden Acrylics Phosphorescent green mixed into UV paints, shown under white light,
ultraviolet light, and no light (glow-in-the-dark). In the first column, the phosphorescent paint is
shown unmixed over different shades of gray.
S P R I N G
2009
theatre
design
&
5
technology
41
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2009
Contents
Theatre Design & Technology - Spring 2009 - 1
Theatre Design & Technology - Spring 2009 - 2
Theatre Design & Technology - Spring 2009 - 3
Theatre Design & Technology - Spring 2009 - Contents
Theatre Design & Technology - Spring 2009 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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