Theatre Design & Technology - Summer 2009 - 36

designer (this ties into McCandless). He was one of Mac's students at Yale; almost everybody had to take Mac's course at
the drama school. Peter wasn't interested in lighting; he was a
scene designer. And Mac's class for scene designers was Saturday morning at 8:00. Well those of you that are still in college
know what happens Friday night and how tough it is to get up
Saturday morning for class. Well, what Peter larkin did, he sat
in the last seat of the last row and painted his eyes on his eyelids. So Peter would sit back asleep and Mac never knew it.
Now, that's a classic story but I asked Peter about it and he said
it's true.
Another Jules Fisher story: he lit a show that was dark,
somber, very, very low key. during the tech, the producer came

Parts/Repairs
Services/Staffing

Maintenance
Training
Stretch Budgets
Get the show up
Peace of mind

We know it's tough.
We're here to help.

34

theatre

design

&

technology

S U M M E R

2009

on stage, looked around and saw all the lights on stage and the
lights out in front of the house and he said, "So much equipment, just to make it dark?"
Now you all know about moving lights and you use them
all the time. Just a little bit of history that you may or may not
know: In 1981 Genesis partnered with vari-light and together
they designed the first moving-head unit. Genesis put up the
money and vari-light did it. They built fifty units. It had pan, tilt,
three dichroic color wheels, each with eight colors and a Gobo
wheel. beam diameter was adjusted by a disc with different size
holes in it. It used a Mac 350 by GE with a dichroic filter. In
1988, what was the first show that used only moving lights for
the spotlighting? Wally Russell did Tristan and Isolde at the
Mark Taper Theatre. david Hockney was the scene
designer for that show. They learned a lot, but one
thing they learned, the most important thing, was
that you could do it. The other thing they learned is
that you had to get rid of the noise. They drove people
crazy. Now today, most moving lights are quiet and it
took a long time to get there but they got there.
Today there are more opportunities for young
lighting designers than ever before. You can work
in theatre, television, concerts, system integration,
education, architecture, museums, department
stores, film, casinos, manufacturers, rental houses,
hotels, regional theatre, and publishing. You can
work as a designer, as an operator, a programmer, a
grip, a gaffer, a stage hand, a sales support person,
a salesperson, and many things like that. You have
many more devices to work with than you ever had
before. but just remember one thing: just because
you got it, does not mean you have to use it.
What does the theatre want of you? Simply
stated, all of you: Your heart, your soul, your body,
your brain, your complete devotion, your passion,
your trust. It wants you to be its parent, its child. It
wants your energy, your creativity, your love, your
life, and your loyalty. And what will it give you in
return? Heartbreak, pain, suffering, depression,
long hours of hard work at low wages, frustration,
debt, and sometimes even divorce. but also, friendship, respect, a chance to create, an opportunity to
be yourself, and to be someone else, a life you will
enjoy. Some of the best friends you could ever have.
love the theatre, and it will love you back. v
Sonny Sonnenfeld, a Fellow of the Institute
since 1997, has been a member of USITT since
its inception almost fifty years ago. He has
been involved in theatre and architectural
lighting even longer. He was honored with
the 2003 Wally Russell Lifetime Achievement
Award and is the founding consultant to the
Broadway Lighting Master Classes.



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2009

Contents
Theatre Design & Technology - Summer 2009 - 1
Theatre Design & Technology - Summer 2009 - 2
Theatre Design & Technology - Summer 2009 - 3
Theatre Design & Technology - Summer 2009 - Contents
Theatre Design & Technology - Summer 2009 - 5
Theatre Design & Technology - Summer 2009 - 6
Theatre Design & Technology - Summer 2009 - 7
Theatre Design & Technology - Summer 2009 - 8
Theatre Design & Technology - Summer 2009 - 9
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Theatre Design & Technology - Summer 2009 - 19
Theatre Design & Technology - Summer 2009 - 20
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