Theatre Design & Technology - Summer 2009 - 57

The sheets facilitate communication between
departments, presenting a clear and proportional
vision of costumes. When digital technical sheets are
used, communication between departments is enhanced
and increased. Once the Costume Technical Sheets are created, they can be e-mailed to each member of the production team. When working with original illustrations, color
photocopies can be prohibitively expensive, not to mention
the environmental impact of printing multiple copies of the
costume illustrations for each department. This means that
only limited number of people have access to the colored
costume renderings. When the illustrations are completely
digital, it is much easier to share work with all members of
the team since the process can be paperless, and virtually

keep the individual departments unified in their vision of
the production as a whole.

z The Digital Costume Project:
An Online Resource.

One of the goals of this project is to produce a system of digital
costume design that would streamline and simplify the process
of producing costume sketches for a wide range of theatre practitioners, from volunteers at neighborhood theatres, to students
of all ages, to professional costume designers, and clothing
enthusiasts. In keeping with this goal, and the importance that
we place on making the information widely available, we have
created a free-access Web site devoted to the digital Costume
Project. Our site includes guides that can be downloaded and
printed or used on-line. These userfriendly guides cover all of the steps
needed to create the Costume Technical Sheet, and give tips for beginIt is quite a special experience for the theatre artist to work
ners as well as guidance on applying
color to the costume illustration.
from a face template that looks exactly like the actor. There
There is even a guide that shows
is an uncanny sense of a more personal connection with
how to transform the proportions
of any existing illustration so that
the actor...
it can be viewed on an individual
actor's unique shape. We welcome
visitors to our Web site at http://
digitalcostumeproject.mcgill.ca/.
cost-free. We all know that each department's work has an
impact on the next, but we often lack the time or resources to share our work in ways that acknowledge the interconnectedness of the team. How many costume designers
are able to give copies of their illustrations to the lighting
designer? How many times do the stage management team
receive full packets of colored costume illustrations? We
know that the production will be viewed as a whole once we
reach the stage, but at times we are so busy getting our section ready that we can miss opportunities to keep other departments apprised of our piece of the whole. As a costume
designer, one big step can be taken effortlessly and with no
cost by e-mailing digital costume renderings to each member of the team. Armed with Costume Technical Sheets, the
set-builder can construct a doorway that accommodates an
actor's headdress, the lighting designer will find it easier
to marry the gel colors perfectly with the fabric choices,
and the props-makers and furniture-makers can make
choices that work in tandem with the costume accessories.
And yes, it may mean changing the color of the costume so
that it complements the sofa fabric, but when we make that
change before any garments have been shopped or made,
we save more than just money. It's not just about the costume shop doing a good job; it's about all of us working
together to enhance what we each bring to the stage picture. Sharing digital illustrations offers one more way to

z Conclusion
The Costume Technical Sheet is an excellent planning and communication tool for professional and novice costumers alike.
Garment details are specific enough that they can be measured
from the drawing or taken from the attached measurement list,
exactly as one would do when building set pieces from technical drawings. Our next step in the digital design Project includes creating on-line fabric resources for each era that can
be used to show specific textures and motifs to be used in digital
costume illustration. Interested textile and costume history researchers are welcome to join my team for the next round of adventure as we identify and share resources about the changing
look of textiles throughout costume history! v
Catherine Bradley is wardrobe manager and resident
costume designer at McGill University, where she teaches
Costuming for the Theatre. She has worked as a freelance
costumer at many of the major Canadian theatres from
coast to coast. She is presently leading a research team
on digital costume illustration, with technical support
from graphic artist, Sawssan Kaddoura.
(This project was made possible by an Image, Text, and
Sound Technology Grant awarded by the Social Sciences
and Humanities Research Council of Canada.)

S U M M E R

2009

theatre

design

&

technology

55


http://http:// http://digitalcostumeproject.mcgill.ca/

Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2009

Contents
Theatre Design & Technology - Summer 2009 - 1
Theatre Design & Technology - Summer 2009 - 2
Theatre Design & Technology - Summer 2009 - 3
Theatre Design & Technology - Summer 2009 - Contents
Theatre Design & Technology - Summer 2009 - 5
Theatre Design & Technology - Summer 2009 - 6
Theatre Design & Technology - Summer 2009 - 7
Theatre Design & Technology - Summer 2009 - 8
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