Theatre Design & Technology - Winter 2009 - 16

Professor Scales points out a possible answer: "There's
a lot you can learn from [doing many productions with limited time]: you can only do what you can do from this time to
that time. [Theatre] is one of the few art forms where there's
a time restriction: you schedule a date an audience is coming, and you've got to be prepared for that. That, I think, is
a strong training aspect for students to know: 'We have from
now to here, and if [we] run into difficulties, we've got to find
different ways to solve this problem.'" In other words, the very
fact that failure is not really an option becomes a teaching moment itself, another aspect of the complex problem that a theatrical production poses. And how students learn to deal with
failure-whether because of their own mistakes, or changing
production parameters, or the roof fell in-is just as important as how they learn to deal with successes; Professor deCelle:
"One of the things we get challenged with is trying to get technical direction students to not turn into the gruff, grumbly, say
'no, won't do it' kind of person."

learning to manage
Professor Scales: "Basically, creating theatre is the key...the designer wants to do a particular thing, and the technical director's
responsibility is to put that into reality, in the best way they can.
And they may not be able to do it, but they need to be able to
come back and say, 'I can't do this, but I can do this.'" And this
is why some programs place their emphasis on teaching planning
practices; Professor Sammler: "How do you have a conversation
about how to change the design [to fit the parameters of time
and money] if you don't have it thoroughly documented?...I don't
think you can walk into a room and say, 'We're over, we need to
cut something.' What does that tell me? That doesn't tell me anything...If you can summarize the whole thing that we call budgeting and estimating down to one word, it's 'communication.'"

...emphasizing

management skills
addresses the issue

of p r e pa r i n g s t u d e n t s for a

variety

of different job
desriptions as well.
14

theatre

design

&

technology

W I N T E R

2009

Where some programs may consider technical skills
core foundation material and planning skills as "just-in-time"
learning, others, like Professor Sammler's or Professor Cloyes's, seem to switch things around. Professor Cloyes: "I don't
think [learning planning skills] is something that you get by
just doing projects. If you're going to go to a graduate program to be a technical manager, or to be somebody who's going to lead anybody, that needs to be part of the program. And
so it is something that is discussed in classrooms or explored
in our classes." Professor Sammler agrees: "You're managing
the use of technology, and that [managing] is the core...I
think there's a difference between people who grapple with
technology, and people who manage others who are grappling with the technology."
For Sammler, management revolves around "the plan":
"For me, putting together an estimate for a production is a
plan. If you've thought through what it takes to accomplish the
elements-I don't care if they're scenery, costumes, props,
whatever-if you've thoroughly thought through the steps it
will take to meet the task, and put numbers and hours into
it, in effect that means you have a plan...If you have an approved budget, which means you know what it takes to get the
tasks done, your job-the hard part of your job-is over."
For Professors Cloyes and Sammler, emphasizing management skills addresses the issue of preparing students for
a variety of different job descriptions as well. "A plan is a
plan is a plan," says Professor Sammler. "The way you organize information for costumes looks a whole lot different than
it does for scenery, but, ultimately, you can have as detailed
plan for costumes as you can [have] for scenery." Professor Cloyes agrees: "It doesn't matter what they're managing.
I want to prepare my students to be a shop manager, or technical director, or production manager-whatever job they
take, I want them to be a good manager."



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2009

Contents
Theatre Design & Technology - Winter 2009 - 1
Theatre Design & Technology - Winter 2009 - 2
Theatre Design & Technology - Winter 2009 - 3
Theatre Design & Technology - Winter 2009 - Contents
Theatre Design & Technology - Winter 2009 - 5
Theatre Design & Technology - Winter 2009 - 6
Theatre Design & Technology - Winter 2009 - 7
Theatre Design & Technology - Winter 2009 - 8
Theatre Design & Technology - Winter 2009 - 9
Theatre Design & Technology - Winter 2009 - 10
Theatre Design & Technology - Winter 2009 - 11
Theatre Design & Technology - Winter 2009 - 12
Theatre Design & Technology - Winter 2009 - 13
Theatre Design & Technology - Winter 2009 - 14
Theatre Design & Technology - Winter 2009 - 15
Theatre Design & Technology - Winter 2009 - 16
Theatre Design & Technology - Winter 2009 - 17
Theatre Design & Technology - Winter 2009 - 18
Theatre Design & Technology - Winter 2009 - 19
Theatre Design & Technology - Winter 2009 - 20
Theatre Design & Technology - Winter 2009 - 21
Theatre Design & Technology - Winter 2009 - 22
Theatre Design & Technology - Winter 2009 - 23
Theatre Design & Technology - Winter 2009 - 24
Theatre Design & Technology - Winter 2009 - 25
Theatre Design & Technology - Winter 2009 - 26
Theatre Design & Technology - Winter 2009 - 27
Theatre Design & Technology - Winter 2009 - 28
Theatre Design & Technology - Winter 2009 - 29
Theatre Design & Technology - Winter 2009 - 30
Theatre Design & Technology - Winter 2009 - 31
Theatre Design & Technology - Winter 2009 - 32
Theatre Design & Technology - Winter 2009 - 33
Theatre Design & Technology - Winter 2009 - 34
Theatre Design & Technology - Winter 2009 - 35
Theatre Design & Technology - Winter 2009 - 36
Theatre Design & Technology - Winter 2009 - 37
Theatre Design & Technology - Winter 2009 - 38
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Theatre Design & Technology - Winter 2009 - 40
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Theatre Design & Technology - Winter 2009 - 42
Theatre Design & Technology - Winter 2009 - 43
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Theatre Design & Technology - Winter 2009 - 46
Theatre Design & Technology - Winter 2009 - 47
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