Theatre Design & Technology - Winter 2009 - 22

John Gabriel Borkman by
Henrik Ibsen. Television production, 20
November 1958; designed by Richard
Negri. RIght, sketch of John Gabriel
Borkman's room on the first floor;
below, costume sketch of Gunhild
Borkman, played by Irene Worth.

theatre's infrastructure, transforming it with a tent-like structure of hand-painted black striped shrouding. Piccolo was an
ambitious and very successful enterprise during its eighteen
months of activity. For the company's opening night of the
Quintero brothers' play The Women Have Their Way, Dame
Peggy Ashcroft travelled from her home in the South of France
to launch the project. There was also sustained support from
former tutors at the Old Vic School. George Devine and Jocelyn
Herbert guested as director and designer in the second season
and Percy Harris designed the costumes for a production at
the Edinburgh Festival of Joseph Chiari's Mary Stuart (featuring Catherine Lacey in the title role) directed by Frank Dunlop
within Negri's setting.
At the end of Piccolo's first season when Negri directed

20

theatre

design

&

technology

W I N T E R

2009

as well as designed a musical version of the melodrama Maria Marten (George Hall composed the music and co-directed), Negri suffered what seems to have been a minor nervous
breakdown5. During a visit to the sanatorium where Negri
was recuperating, Bernard Cribbins reported Negri as saying:
"it's great in here, you know, that's the mad place, out there!"
Frank Dunlop believes that the breakdown was simply a result
of nervous exhaustion and Negri recovered sufficiently during
the summer break to return for the second Piccolo season.
The second season was less of a success due principally to the
failure of George Devine's production of Goldoni's Mistress of
the Inn to attract an audience. The Piccolo project had lost
too much money to survive beyond January 1955 and the
company disbanded. Negri then decided to join a monastery,
Allington Castle, near Maidstone, Kent, but he re-emerged on
the advice of the abbot to continue his work in the theatre and
get married to Jill Adams (who had been a volunteer working
in Piccolo's box office) with whom he subsequently had eight
children. Negri's growing family during the 1960s underscores
the challenge facing him of supporting them while working in a
profession not known for its stability or its potential for financial reward and security.
In the 1950s, television was a new medium broadcasting
its drama productions "live." Negri worked for more than six
months in 1957/58 as a designer on more than thirty productions. For Negri this was a period notable for two main events.
Firstly, he met with the director Michael Elliott who proved to
be his principal collaborator for the next twenty years and secondly, he designed a production of Henrik Ibsen's John Gabriel



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2009

Contents
Theatre Design & Technology - Winter 2009 - 1
Theatre Design & Technology - Winter 2009 - 2
Theatre Design & Technology - Winter 2009 - 3
Theatre Design & Technology - Winter 2009 - Contents
Theatre Design & Technology - Winter 2009 - 5
Theatre Design & Technology - Winter 2009 - 6
Theatre Design & Technology - Winter 2009 - 7
Theatre Design & Technology - Winter 2009 - 8
Theatre Design & Technology - Winter 2009 - 9
Theatre Design & Technology - Winter 2009 - 10
Theatre Design & Technology - Winter 2009 - 11
Theatre Design & Technology - Winter 2009 - 12
Theatre Design & Technology - Winter 2009 - 13
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com