Theatre Design & Technology - Spring 2010 - 8

letters to
the

editor

A 25-YEAR RELATIONSHIP * USITT AND UNITED SCENIC ARTISTS LOCAL USA 829, I.A.T.S.E.
In June of 1985, I received a telephone call from the late Howard bay, then President of United Scenic Artists local 829 (USA 829). A gentleman named Stephen Hild had written to him with a suggestion that perhaps the
Union would be interested in an effort to form a National design Archive of the Performing Arts. (Realizing that
the support of professional designers would be a logical "plus" in this endeavor, Stephen had gone straight to the
top!) luckily, Howard was interested in this proposal for the preservation of designer's work, and forwarded this
information to me, as Representative of the Western Region, in which Stephen resided.
Within minutes of our first telephone conversation, I was impressed with Stephen's credentials largely
based on his involvement with the USITT biennial Scenography Expositions. by the end of our conversation,
I had not only agreed to participate in the "Archives" project, but to also to become the United Scenic Artists
liaison to the then upcoming fourth USITT Scenography Exposition.
USA 829 involvement began immediately with USITT, specifically with the premiere of that Fourth biennial Exposition which premiered March 19, 1986, in Oakland, CA. At that time, I arranged for a panel, "Almost
Everything You Always Wanted To Know About USA 829..." that happily continues today, well attended, disseminating knowledge about USA 829 and answering questions from the audience. So I guess, in addition to other
accolades, Howard bay's unique involvement in bringing together USITT and USA 829 can now be historically
recognized, as well as Stephen Hild's participation in this "organizational match."
In the catalogue for the aforementioned 1986 Exhibition, Stephen wrote, "...The quality of designs available for inclusion indicates and illustrates that American design for the performing arts is worthy of international
recognition." This was indeed prophetic, for in June of 1987 the United States was internationally recognized by
winning the Golden Triga, the highest honor, over 37 other countries at the Prague Quadrennial '87. The USITT
and United Scenic Artists could be proud as this USITT-sponsored entry exhibited materials containing contributions from previous USITT exhibitions as well as from USA 829 members, some of whom also contributed their
time to the conceptualization of this award-winning United States entry as well. With this great Prague Quadrennial honor, Stephen lived to see his prophecy of International recognition of American design for the Performing
Arts. Following his untimely death in October of 1991, the effort to create the National design Archive ceased
without his unique passion and dedicated perseverance for that project. Today, "Internet Technology" is helping
to provide access to many existing national and international repositories of Entertainment Industry designers'
creative work; Who knows what the future might bring?
looking back, the United States' award-winning 1987 exhibit in Prague set a new path for USITT in its approach to exhibits of Entertainment Industry design, as well as for its relationship with USA 829.
An important expressed element of USITT's mission, "...To advance the profession of design and technology in the performing arts by disseminating information..." is definitely enhanced by the USITT continuing its
association with United Scenic Artists local USA 829, I.A.T.S.E. Together, the USITT and USA 829 will endeavor to
inform and inspire a future generation of Entertainment Industry artists.
New Technology; Can you believe it? This meaningful organizational relationship started with conversations
on the "telephone."
Charles berliner
USA local 829
Western Region business Representative

6

theatre

design

&

technology

S P R I N G

2010



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2010

Contents
Theatre Design & Technology - Spring 2010 - 1
Theatre Design & Technology - Spring 2010 - 2
Theatre Design & Technology - Spring 2010 - 3
Theatre Design & Technology - Spring 2010 - Contents
Theatre Design & Technology - Spring 2010 - 5
Theatre Design & Technology - Spring 2010 - 6
Theatre Design & Technology - Spring 2010 - 7
Theatre Design & Technology - Spring 2010 - 8
Theatre Design & Technology - Spring 2010 - 9
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com