Theatre Design & Technology - Winter 2010 - 106

book

reviews
Sound, Lighting, and Video
A Resource for Worship

by brad Herring; burlington, Ma, focal
Press, 2009. 273 pp. Paper, $29.95.
reviewed by linda sarver
brad Herring's Sound, Lighting, and
Video: A Resource for Worship is written for a very narrow readership: members of evangelical Protestant churches
that practice what is usually called
"christian contemporary Worship" and
rely on amateur volunteer technicians
to run their sound, lighting, and video equipment. if that describes you,
this book might be helpful. but if you work in theatre, as i and most
TD&T readers do, this book will have little value.
Herring, who owns church Production resources and publishes
technologies for Worship magazine, writes energetic sentences (frequently ending in exclamation points!) with a religious fervor that informs the entire content. His vocabulary is specific to contemporary
christian Worship, so persons of other faiths-and those who are not
what the author describes as "believers"-will probably find it as confusing as i did. the book has no glossary, so i had to research definitions for terms such as "Worship leader," "Praise team," "Worship
band," and "Media Ministry." because of its religious orientation, the
book offers guidance like "the sound engineer's job is to make sure
the message of the gospel goes forth without hindrance and that there
are no walls created during worship so the spirit can work among the
people without the hindrance of technology."
the author encourages the use of theatrical lighting, sound, and
video equipment to add special effects to church services that will enhance a congregation's spiritual experience. the book is appropriate
for members of churches with memberships of about a hundred who
worship in converted or purpose-built facilities with a rectangular or
fan-shaped space and low ceilings.

Systems and equipment
the book is organized into three sections, sound systems for Worship,
lighting systems for Worship, and video systems for Worship, followed
by a conclusion and three appendices offering suggestions for volunteer
staffing and organization. each section begins with a chapter describing
equipment, explaining how it works, how to use it, why to use it, and
including the author's ideas for application in the House of Worship
(church). the chapters contain black and white illustrations, photographs of equipment, and diagrams. the author's "tips" are in an attractive oval graphic separate from the text. While sound, lighting, and
video are each treated separately, Herring stresses their integration.
beginning with "anatomy of a sound system," the first section
contains nine chapters that provide a guide to the kinds of equipment

104

theatre

design

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teChnology

W I N T E R

2010

a House of Worship might want, and how and why to create an appropriate sound system. for example, chapter 6 deals with electronic
Processing. "creating a mix that sweeps people into the environment
and provides them confidence and excitement should be the ultimate
goal, because...this is the place where people really begin to experience corporate worship, let their defenses down, and allow the Holy
spirit to work within them."
the second section leads off with "anatomy of a lighting system,"
followed by chapters on color mixing, color theory, common power connections, controllers and protocols, dimmers, and moving lights. a "tip"
in chapter 15 cautions: "don't use moving lights for the sake of using
them. Motion in worship (be it lighting, cameras, or people) can be a
huge distraction. You must use taste and guidance from the Holy spirit in
choosing the best time and method of using such design elements!"
Herring maintains the same format for the section on video systems.
chapter 25 specifically targets the House of Worship by including information about various "Worship Presentation software" packages that are
available, with his recommendations for the most popular choices.
the conclusion is devoted to organizing and dealing with people.
it advocates the creation of a "playbook" (what i would call a prompt
script) for each sunday service, outlining what will happen and when.
He advocates getting the volunteers and staff to understand that they are
"a critical part of communicating the gospel message." the rest of the
conclusion is devoted to the importance of training. the author's company, church Production resources, offers his readers training dvds and
consulting services.
there are four appendices. "Working with contractors and Having
a christian Witness" reminds that not all contractors are believers and
not to expect everything for free or at a discount. "building teams and
finding volunteers" encourages readers to "see where the person is
with god and where he or she is in life." Herring advises "Most of all,
pray. Pray as an individual, and encourage prayer. Prayer is the answer,
even to the most technical problems." those of us in the theatre who
are not believers are more likely to phone tech support from the company that supplied the equipment, but Herring advises that "as you pray
with your team, seeking god in the good and bad times, the attitude
will be one focused on Him and the results will always be a better one."
"checklists and Procedures" contains advice about changing lamps,
checklists, arriving on time, and making sure that you're "prayed up"
prior to working.

Safety concerns
i am concerned that Herring seems unaware that chemicals for special
effects machines can be a serious health and safety issue. He encourages amateur volunteers to use hazers and dry ice machines, but he does
not encourage them to get proper instruction to use them safely. at the
least, he might have recommended they read the booklet esta publishes
on how to use fog and haze effects safely. in light of recently reported



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