Theatre Design & Technology - Winter 2010 - 14

Section drawing of the Salzburg Festival Theatre (1960). The technical plan of the stage was by Walther Unruh.

of the high and mighty, and indeed to take advantage of such
associations. although rosamund stood just under five feet every inch of her was a dynamo and she was never intimidated
by size, authority or prominence. during her lifetime (1891-
1986) rosamund was a drama critic and editor at Theatre Arts
Monthly. she wrote "enter the actress - the first Women in
theatre" (1931) and was co-author with george freedley of
the nY Public library of "theatre collections in libraries and
Museums" (1936)-an international collation. all of this was
background to what i think she considered her most impor-

Rosamund actively encouraged our plans to develop
USITT as an independent research institute, with an
agenda directed towards close communication between
all of the theatrical disciplines.
tant work, that of the international theatre institute.
When tom degaetani and i were casting about, looking at the potential for an institutional home for the yet to be
birthed usitt, and for the united states center of aitt, we
talked about being a part of either anta or aeta. rosamund
advised us to go off on our own, "independence has its virtues," "why do you want to deal with messy boards of directors?" [actually, advice i did not heed the second time-she
advised the same during the formation of the united states
center of the oistat.] but rosamund agreed to give us temporary "cover" by recommending to anta's board that the

12

theatre

design

&

teChnology

W I N T E R

2010

united states center of aitt should be located within the
anta structure, parallel to the place of the united states center of the international theatre institute.
rosamund actively encouraged our plans to develop
usitt as an independent research institute, with an agenda
directed towards close communication between all of the theatrical disciplines. at the first conference she agreed to serve
on the Publication and research committee.
a few years after the formation of usitt, as the aitt and a
czech led initiative "interscena" had both fallen by the wayside,
rosamund was arguing the need for an international organization of theatre artists, technicians and architects to circumvent
the international politics that were dividing the "eastern" socialist
bloc and the "western" bloc of countries. since iti already had a
busy agenda, rosamund stated that the iti could not take on this
responsibility. as iti's Past President rosamund spearheaded the
meeting in Prague in late 1967 at which a charta was developed
for the formation of the unesco-related-international organization of scenographers, theatre technicians and theatre architects (oistat).
usitt recognized rosamund gilder's contributions in 1967
by presenting her with the very first usitt award, given to recognize a lifetime contribution to the performing arts community.
rosamund gilder was singularly helpful to our thinking
about the purpose and function of usitt, and equally important to the formation of oistat. i have no hesitancy in making
this nomination: rosamund gilder, usitt "godmother."
Who is my candidate for "godfather"? Here i introduce
Prof. dipl. ing. Walther unruh, pre-WWii technical director of
the Hamburg (germany) opera, author with frederich Hansing



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2010

Contents
Theatre Design & Technology - Winter 2010 - 1
Theatre Design & Technology - Winter 2010 - 2
Theatre Design & Technology - Winter 2010 - 3
Theatre Design & Technology - Winter 2010 - Contents
Theatre Design & Technology - Winter 2010 - 5
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