Theatre Design & Technology - Winter 2010 - 40

these mission statements, reported in the January 1962 usitt newsletter, are not so different from the current mission statement of the current architecture commission (restructured and renamed in 1971): "to
promote the understanding of the architect's role in the design of theatres
and performance spaces, and to provide an architectural resource for
members and the professional community on theatre design." it's not
hard to imagine that the next fifty years will ultimately prove to have the
same goals and the same challenges. it is through the friendships, connections, and knowledge sharing made possible by usitt that we will
continue to seek that "ideal" theater. v

Architecture

Timothy Hartung (right),
Architecture Commissioner
and founder of the USITT
Architecture Awards,
congratulates some of
the winners of the 1994
awards at the USITT
Conference & Stage Expo
in Nashville.

Raymond Kent is an audio visual designer and director of
the Innovative Technology Design Group at Westlake Reed

Leskosky.

cOMPuterS & SOftwAre

By Patrick M. Finelli

an anniversary is an occasion to commemorate an important event that happened in the past. it
reminds us of who we were, and gives us a sense of where we are now and what we have accomplished. there are still quite a few distinguished usitt members around who can remember
the founding of the institute fifty years ago. the rest of us have our own memories reinforced
with issues of Theatre Design & Technology and the stories we tell each other. While sitting at my keyboard
thinking about the impact of computing on theatre technology, i'm aided by the digital archive of back issues saved by Willard bellman and scanned into Pdfs by M. barrett cleveland and his students. barry and i
joined usitt at about the same time and shared a common interest in theatre-related computing.

Mark Reaney's article on computer software for set and costume designers (TD&T,
summer 1989) singled out the now defunct "Superpaint" as a "powerful application that
combines both drawing and painting layers, features 96 fill patterns and has room for
another 32 that you design yourself.

38

theatre

design

&

teChnology

W I N T E R

2010

computers were emerging as indispensable tools in science and industry. in theatre, many of the early adopters were technical directors extending their already long workdays by fiddling with cPus and monitors,
expansion boards, i/o and memory cards while trying to get the most out
of their clunky machines. it was hardly a plug-and-play world. for tds accustomed to making thing work as if by magic, it was more like plug and
keep plugging. as the personal computer became commonplace in our
homes and offices, it made perfect sense for a cadre of usitt members to
help navigate the path leading to the widespread use of computers in stage
design and technology.
My first usitt conference was denver in 1982, the same year that
robert reinecke and dan file began a regular column devoted to the use
of computers in theatre (Winter 1982). gordon Pearlman, who developed
the first computerized lighting control board used on broadway, had held
a workshop with al Wehlburg and others at the cleveland conference the
previous year that considered "microcomputers" (to differentiate from
mainframe computers) in a context other than lighting. our panel was
dedicated to computing using mainframe computing for production management and ticketing. these were primarily customized projects written
in source code and were of limited use to the general membership. there
was another session with a demonstration of software written in basic on
a Pc for inventory, costume, and box office that became the core of a new
product line distributed by rosco.
our group wasn't the first to consider using computers in the



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2010

Contents
Theatre Design & Technology - Winter 2010 - 1
Theatre Design & Technology - Winter 2010 - 2
Theatre Design & Technology - Winter 2010 - 3
Theatre Design & Technology - Winter 2010 - Contents
Theatre Design & Technology - Winter 2010 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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