Theatre Design & Technology - Winter 2010 - 48

leagues have felt that, aside from fancy lighting and sound boards, the fundamentals of theatrical design over the past fifty years could still be taught
on a shoestring budget, but now that lighting, sound, rigging, staging, and
projections have enjoyed such incredible advances, how do we raise the
money to keep up with the technology? even more importantly, how do
we retain the core values of what we are teaching, so that the technology
doesn't get in the way of the message?

Changes in Degree Structures and Training Pedagogy
nast has made an effort to keep up with the changes in our fields,
but we are soon to run out of room in a regular four-year bfa degree for
all the classes required to give someone the well-rounded education we
hope to provide. in the past twenty years, there have been many curricular
additions, and the following classes are now either required or strongly
suggested by several bfa curricula:
* CAD Drafting (in addition to or in place of hand drafting)
* Sound Design & Technology
* Photoshop & web-site creation
* Portfolios & Professional Practices (legal & financial concerns)
* Expanded offerings in design history.
even the last one needs to be revised. currently there is a requirement for history of fashion and of interiors, but the history of lighting,
sound, technology, and multimedia bear inclusion and serious study. Yes,
despite the impression you may have gotten from my introduction, i am
for more study of our history, not less. the challenge here is how do we fit
it all in, and still get students out in the traditional four years?

these changes also affect the other types of degrees. for those students taking a ba, there are so many skills and support courses needed to
be really successful, it's doubtful that they will be able to fit them into the
smaller number of credits required. either they have to skip the point of
a ba, take a ton of extra theatre classes, and miss out on the larger set of
offerings that a ba affords you, or they only get a mere taste of the detailed
types of classes they will need to be successful in this business. for those
students taking a two-year associates degree, the same issues apply. if they
are going to eventually transfer to a more traditional four-year school,
they will generally be a year behind the rest of the students in the major
classes, even if they transfer in with most of the general education credits
complete. or, if they head out into the working world, they will have only
had a taste of the extensive offerings of a four-year program. How do ba
programs and two-year schools shift what they are doing in order for their
graduates to remain competitive with those students coming out of fouryear bfa programs?
the explosion of technology has also given rise to several new programs out there, where the focus is exclusively on the operation of the
technology. some of these are now loosely affiliated with nearby colleges,
but the fact remains that the focus is on training operators, not designers.
there are pros and cons here as well. on one hand, we do need people
trained to a very high level on these new systems. even though i consider
myself a fair mechanic, i leave the oil changes on my wife's new Honda to
the experts with the special tools. i also have a great respect for those who
have devoted their careers to this aspect of the business, and recognize
that there isn't enough time in my program to train students to that level

1964 USITT Special Citation given to Stanley McCandless on his retirement from teaching.
1965 Ned A. Bowman,
editor of TD&T from
the first issue, Oct.
1965, until the Feb.
1970 issue.

1965

1965

1964 4th Annual USITT

Conference, New York City.
Registration fee was $5.00.

Cover of issue
no. 2 of TD&T (the
first issue's cover no
longer reproduces
well).

Angeles Music Center, December 6.

1965-1968

Opening day of
1964-1965 Worlds
Fair, Flushing
Meadows, Queens,
New York, April 22.

46

theatre

design

&

teChnology

W I N T E R

Donald H. Swinney,
USITT President

2010

1965 President

Johnson signs
legislation
establishing
the National
Endowment for the
Arts and the National Endowment
for the Humanities.

1965

1964 Opening day of the Dorothy Chandler Pavilion at Los

1964

5th Annual USITT Conference,
Indiana University, Bloomington, IN.

Vivian Beaumont
Theatre opens in Lincoln
Center, October 21.



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2010

Contents
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