Theatre Design & Technology - Winter 2010 - 62

to help share the load and to break in
a new commissioner so that a smooth
transition could occur in the leadership.
in addition, a host of vice-commissioners
have also helped lead specific interest
areas of the commission over the years.
in January 1981, usitt sponsored
the "training of lighting designers"
conference, held at Purdue university.
this brain-child of President lee Watson
gathered twenty-three industry leaders
from theatre, television, film, architectural, and interior lighting design and
asked them to develop a consensus statement on how and why lighting designers
should be trained. the statement appears in a report on the t.o.l.d. conference in the summer 1981 issue of TD&T.
early projects of the lighting and sound commission included
a collaboration with the education commission to create the graphic
standards board, focusing on lighting design and sound design graphic
standards, and joint efforts with the education commission and scenography and costume commissions in the development of the first iteration of
the "theatre design and technology Promotion and tenure guidelines."
in 1993, the lighting commission began recognizing the accomplishments of outstanding lighting designers with the distinguished

lighting designer award. these awards were an opportunity to honor respected colleagues and to bring them to the annual conference & stage
expo to speak and answer questions. (the distinguished achievement
awards, which had been adopted by other commissions, were recognized
formally in 1998.) the recipient of the first distinguished lighting designer award was abe feder (1993), followed by Ken billington (1994), tharon Musser (1996), imero fiorentino (1997), Jennifer tipton (1998),
richard Pilbrow (1999), Max Keller (2001), beverly emmons (2002),
allen lee Hughes (2003), William M. Klages (2004), luc lafortune
(2005), James l. Moody (2006), and Jules fisher (2009).
under commissioner cindy limauro, the commission began a project to advance best practices in teaching lighting design. spearheaded by
bruce auerbach, the compendium project, as it was known, began with
a national survey that solicited design projects from lighting educators
across the country with the purpose of assembling a collection of proven
exercises from which an instructor might draw while teaching lighting
design. the first edition, titled "Practical Projects for teaching lighting
design, a compendium" was published in 1990. a second edition followed in 1992, edited by rich dunham. this publication continues to be
a best-selling title in usitt's on-line bookstore, as are similar teaching
project compendiums by the costume design & technology commission
and the scene design commission that used this publication/project as a
model.
Perhaps usitt's best-known publication, dMX512/1990 - digital
data transmission standard for dimmers and controllers, documents

1994 Distinguished Lighting Designer.

ken
billington

1991

1991

Publication in TD&T (Fall issue) of "Revised Standard
Graphics Language of Lighting Design" edited by Patrick Gill.
Significant changes include the addition of moving lights.

31st Annual USITT Conference & Stage Expo,
Boston, MA.

1991

Approval of MIDI
1.0 Recommended
Practice RP-002.

1991

Tim Kelly organizes the first "Art
Auction," held at the USITT Conference &
Stage Expo in Boston, MA.

1991

Publication of first "Technical Source
Guide" in Sightlines (July/August 1991)

1991

"Mozart in America," the U.S. exhibit in the 1991
Prague Quadrennial, wins the "Gold Medal for the
Special Theme." Several stagings of Mozart's operas
were featured in the exhibit, including The Magic Flute,
directed by Robert Wilson, who also co-designed the
costumes with John Conklin (above).

60

theatre

design

&

teChnology

W I N T E R

2010



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2010

Contents
Theatre Design & Technology - Winter 2010 - 1
Theatre Design & Technology - Winter 2010 - 2
Theatre Design & Technology - Winter 2010 - 3
Theatre Design & Technology - Winter 2010 - Contents
Theatre Design & Technology - Winter 2010 - 5
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