Theatre Design & Technology - Fall 2011 - 13

human communication is subject to slightly different interpretations, but the closer we come to understanding one another is
the key to a unified production.
Here again, empathy lifts its lovely head. We have to understand the problems others face and how those problems
dictate what we do. Sets deal with movement patterns just as
costumes deal with movement of a different kind. Color straddles everything: lighting, costumes, and sets. Often, when everything comes together, there are still surprises. It's how we fix
problems that makes a difference. Usually, it means revisiting
that first shared vision.
It is probably naïve to think that politicians can have a
shared vision. They are so aware of the next election and their
dependency on a particular constituency that they won't even
consider an opposing view, even it would be best for the country. If this were the case in theatre, every artist would be more
committed to getting his or her own good reviews than to the
good of the production as a whole.
Once, in these pages, more years ago than I want to remember, I wrote a profile of William and Jean Eckart, a husband and wife who designed as a team. They said they only
disagreed and fought over bad ideas, but when one had a good
idea the other recognized it. Theatre can be an exercise in
compromise. But that is only possible if we are open minded. I
have seen productions where a director was too open minded,
and every bad idea was incorporated into a mixed up hash.

In politics these days, every cockamamie idea is given a
respectful hearing in the press. As with the Eckarts, politicians
argue about bad ideas, but unlike the Eckarts, they don't recognize good ideas. Compromise is unknown in Washington. If it's
even mentioned it is considered a dirty word.
Translate the ethos of Washington into a theatre production
meeting. The set designer is having a tantrum, rolling around
on the floor. The costume designer is banging his head against
the wall. The lighting designer refuses to speak to anyone. The
director sits helpless, wondering why she ever signed on for
this job. And the stage manager is drunk and speed dialing an
escort service. The playwright staggers in, bleeding to death. He
has just been stabbed by a mugger. No one will help him unless
he agrees to change his play into an absurdist tragedy.
In real life, an author's work is protected by a union, the
Dramatists Guild. It is ironic and sad that while we celebrate Labor Day, Wisconsin, Ohio, and other states are doing everything
they can to destroy labor unions. I confess my bias. Retired
now, I have been a member of three unions that have protected
my interests many times over.
Sadly, as much as I have touted empathy, I find it hard to
put myself in the heads of those who would deny help to the
old, the sick, the hungry, the jobless, the student. So let's elect
artists to Congress. They have empathy and can compromise
and collaborate. And with so many theatres, orchestras, and
museums in trouble, they need the work. v

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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2011

Contents
Theatre Design & Technology - Fall 2011 - 1
Theatre Design & Technology - Fall 2011 - 2
Theatre Design & Technology - Fall 2011 - 3
Theatre Design & Technology - Fall 2011 - Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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