Theatre Design & Technology - Fall 2011 - 30

photos courtesy w bloodgood

A U.s. AppROAcH TO

The exterior of From the Edge, the USITT-USA national exhibit at Prague Quadrennial, 2011.

An e-mail message popped up in our in-boxes soon after
the curators returned home from their meetings in March 2010. "I am
struck," a curator wrote, "by how important it is for us to manifest a
cultural re-imagination." This comment, a necessary spur to action, was
a response to William Bloodgood's early architectural ideas for the United
States pavilion space.
"I guess if I were going to give Bill any questions to further his
process," the note continued, "I would ask him where he thinks we are
going-how we are changing? What has dominated and represented the
American cultural landscape-and what is it now?" The curator liked the
fact that the trend toward sustainability was evident in Bloodgood's preliminary ideas and went on to say he had reservations about the "viability
of current methods, forms, and art-making structures and systems." "The
Prague Quadrennial is about change," he said. "What constitutes change
in America? What has changed? (Obvious changes: Bush to Obama. Economic collapse reveals a false economy of means.) What is the new economy of means? (Crisis in arts funding. Scenography must do more with
less. Waste less. Be sustainable.) What does it mean to be sustainable?
How has that changed design for performance?"
new challenges
These questions cut straight to the core of why From the Edge rocks the
boat. Creating an exhibition of theatre design that both vividly represents
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By RAnDy GeneR

a country and opens up new scenographic or architectural horizons is an
extremely tall order-if this is the path future curators wish to pursue. At
most European art biennials and mega-exhibitions, curators sidestep the
problem by promoting a single artist (or a group of artists), a synecdoche
that stands for the whole. Add to that challenge the imperative inscribed
in the new moniker of the quadrennial, which has repositioned its focus
from "world scenography" to "performance design and space."
The layers From the Edge's curators needed to cut were thick with
ambiguity, obstacle, great diversity, and ambition-not the least of which
was the necessity to search for a compelling metaphorical space that would
house the overall exhibit in Prague. A comparison with the Venice Biennial
might be instructive. In Venice, visual artists are essentially decorators of an
already existing palatial venue in the Giardini or of a historic naval shipyard
site in the Arsenale. What's doubly crazy about the Prague Quadrennial is
that theatre designers from around the world are expected not only to turn
up every four years with an exhibit of works but also to erect an architectural space that will somehow sum up the disparate elements.
cultural Re-imaging
From the very start, From the Edge was conceived emblematically. Artistic
director Susan Tsu and the team of curators were intent on showing a perspective or an image of American theatre that had not typically been displayed before at the quadrennial. They wanted to create an exposition that



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2011

Contents
Theatre Design & Technology - Fall 2011 - 1
Theatre Design & Technology - Fall 2011 - 2
Theatre Design & Technology - Fall 2011 - 3
Theatre Design & Technology - Fall 2011 - Contents
Theatre Design & Technology - Fall 2011 - 5
Theatre Design & Technology - Fall 2011 - 6
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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