Theatre Design & Technology - Fall 2011 - 58

THe U.s. sTUDenT
Left, a view of the open atrium of the Veletrzni Palace
and the second floor which was filled with student
exhibits from around the world.

n

By DAviD RODGeR

Children were everywhere during the 2011 Prague
Quadrennial-inside the exhibit areas as well as out on the streets of
Prague. Planned activities for children as young as four or five happened
throughout the ten days of the PQ. College-age students from dozens of
countries created performances and works of theatrical design under
the tutelage of teachers from their home countries and faculty members
of the famed Academy of Performing Arts in Prague (DAMU).
Forty-four countries brought to Prague exhibits that demonstrated
the kinds of design work being done by students in their countries.
Some of theses student exhibits rivaled in size and complexity the national exhibits on display two floors below in Prague's national museum
known as the Veletrzni Palace.
Around 400 American students were represented in the U.S. student exhibit, Emerge. Some participated electronically with examples of
their costume, scenery, lighting, and sound designs displayed continuously on digital frames hanging in the exhibit. Seventy-eight students
made their way to Prague so they could participate in person.
Tom Burch, faculty mentor for Emerge, said their goal from the
beginning was to get participation from as many students as possible. To
that end, he and the three student organizers and curators of Emerge-
Rachelle Beckerman, Collin Ranney, and Yu Shibagaki-contacted almost every college and university theatre program in the U.S. Students
from forty-eight schools responded.
Curating the hundreds of works submitted was a huge undertaking
for Beckerman, Ranney, and Shibagaki. Each had different personal and
theatrical aesthetics, and Burch says he "learned a lot about each of
56

theatre design

& technology

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2011

them from the shows they argued for." Eventually, they agreed on 157
productions or projects that represented works by 324 students.
At the outset, the student exhibit organizers were challenged by
artistic director Susan Tsu and international liaison Alexandra Bonds to
create something very different, and, says Burch, "They wanted to get
more American students to Prague than had been before."
Countries seemed to have very different ideas about showing off
their students. Some attempted to display a representative example of
outstanding student projects and realized productions. Other countries
were more concerned about the actual experiences of their students
while they were in Prague. Their exhibits resembled classrooms, or
workshops, or messy dorm rooms. According to Tom Burch, the USITTUSA student exhibit was "very much in the middle of that continuum."
Juried work was displayed on digital frames around the exhibit, while
the middle of the exhibit was open workspace for teams of students.
"This duality," Burch says, "was central to the exhibit, and at times difficult to traverse. We wanted as many student designers as possible to
participate, but we also had to leave room for the artwork we wanted
them to create."
Students were assigned one-and-a-half-hour time slots in which to
create a project. Teams consisting of two designers from different disciplines were given poems with strong dramatic qualities and asked to respond to them using their talents as scenic, lighting, costume, and sound
designers. Their creations were then displayed in the exhibit.
The USITT-USA student exhibit was made possible by a generous
grant from the Tobin Theatre Arts Fund. v



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2011

Contents
Theatre Design & Technology - Fall 2011 - 1
Theatre Design & Technology - Fall 2011 - 2
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Theatre Design & Technology - Fall 2011 - Contents
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