Theatre Design & Technology - Fall 2011 - 6

from the

e ditor

It happens every four years. The convention centers,
museums, streets, and theatres in Prague erupt with
a cacophony of sights and sounds, languages and
costumes, performances and exhibitions. The first
issue of TD&T Deborah and I created was for the 1995
Prague Quadrennial. Richard Durst was the guest editor.
This is our fifth time trying to capture the PQ magic for
TD&T readers, but really, the only way to understand
the Prague Quadrennial is to experience it.
Nevertheless, the contributors in this issue have
some insights to share. The editors interviewed the curators of the three USITT-USA exhibits-
national, student, and architecture-who generously share their thoughts on the process of creating the exhibits and the ideas that underlie the works presented. Mike Monsos, Exhibits Project
Coordinator, writes about the multi-year process of organizing, staffing, building, shipping, erecting, and striking the USITT-USA exhibits. The award-winning editor, writer, and artist Randy Gener
was the curatorial advisor this year. He shares his insights on why this PQ exhibit was intentionally
a departure from previous U.S. exhibits, and offers his suggestions on directions future curators
might take. Associate editors Linda Essig, Robert Lewis Smith, and Dave Tosti-Lane, along with
myself, interviewed curators Susan Tsu, Allen Hahn, Chris Barreca, Linda Cho, and Don Tindall to
get their first-hand accounts of how they conceived the story they wanted to tell about American
design, assembled the works for the exhibit, and designed the story-telling environment. I interviewed Tom Burch, the faculty mentor for the student exhibit, who explains how he and three
dedicated student curators were able to involve more student designers than ever before, not only
by exhibiting their projects, but by providing a studio space in the exhibit for American students to
creatively participate while in Prague. Finally, associate editor Raymond Kent and architecture curator Scott F. Georgeson discuss his goal this year to highlight the diversity of performances spaces
built in the U.S. since 2006. Special thanks goes to photographers R. Eric Stone, Susan Tsu, Mike
Monsos, and William Bloodgood for sharing their images of the Prague Quadrennial.
Three other articles give balance and depth to this issue. Kimberly Poppiti spent time
backstage with the puppet engineers working on the current Broadway production of War Horse
dissecting how the magnificent creatures are made and manipulated. Tracy Terstriep-Herber
writes about the terrific design charrette program at University of Missouri, Kansas City, and the
most recent charrette led by costume designer Willa Kim. Laurie Kincman returns with another
piece about her undergraduate stage manager training program. This time she describes how to
make a training video to help beginning stage managers learn how to call shows. -dr
U S I T T M I S S I O N S TAT E M E N T

t h e a t re
design

&

technology
T he peer-review jour nal
for design, production and
technolog y professionals
in the perfor ming arts and
entertainment industr y.

editorial office
david rodger
editor

deborah hazleTT
art director

*
3001 Springcrest dr.
louisville, KY 40241-2755
502-426-1211 fax: 502-423-7467
e-mail: TdT@broadwaypress.com

associate editors
raYmond KenT
architecture

peggY roSefeldT

Costume design & Technology

paTriCK m. finelli

Computers & Software

William KenYon
education

jerrY gorrell
engineering

david C. gloWaCKi
health & Safety

linda eSSig

lighting design & Technology

riChard peTerSon
management

roberT l. SmiTh & heidi hoffer
Scenic design & Technology

dave ToSTi-lane

Sound design & Technology

bill broWning

Technical production

arnold WengroW
book reviews

William j. bYrneS
inside USiTT

contributing editors
arnold aronson * eric fielding *
sarah nash gates * joel e. rubin *
beeb salzer * delbert unruh *
tom watson * arnold wengrow

United States Institute for Theatre Technology, Inc. (USITT) connects performing arts design and technology communities
to ensure a vibrant dialogue among practitioners, educators, and students.

advertising

Statements and opinions expressed in articles or editorials in TD&T are the expressions of the individual contributors and do
not necessarily represent the policies or opinions of the United States Institute for Theatre Technology, Inc. Advertisements
appearing in this publication are the sole responsibility of the advertiser.

marketing Sales and Services associate

TD&T (ISSN 1052-6765) is published five times a year-Winter, Spring, Summer, Special Issue, and Fall-by United States
Institute for Theatre Technology, Inc., 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. Subscription to TD&T, also known
as Theatre Design & Technology, is a benefit of USITT membership. Fourteen dollars is deducted from membership dues
to cover cost of publication. Periodicals postage paid at Syracuse, NY and additional mailing offices. POSTMASTER: Send
address changes to TD&T, c/o USITT, 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. COPYRIGHT © 2011 by United
States Institute for Theatre Technology, Inc. All rights reserved. Material in this publication may not be reproduced in any form
without permission.

4

theatre design

& technology

f

a

l

l

2011

jim lUCaS

315 South Crouse avenue, Suite 200
Syracuse, nY 13210
800-938-7488 / 315-463-6463
fax: 866-398-7488 / 315-463-6525
e-mail: jim@office.usitt.org

international affiliation
USiTT is the United States Center of oiSTaT: The
international organization of Scenographers,
Theatre architects and Technicians.



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2011

Contents
Theatre Design & Technology - Fall 2011 - 1
Theatre Design & Technology - Fall 2011 - 2
Theatre Design & Technology - Fall 2011 - 3
Theatre Design & Technology - Fall 2011 - Contents
Theatre Design & Technology - Fall 2011 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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