Theatre Design & Technology - Fall 2011 - 83
Projects into what proved to be an unsound acquisition spree, particularly of a rock-and-roll
lighting company, getting into audio manufacturing without thinking it through, and engaging
in a lot of speculative consultancy work in Iran,
America, and the Far East.
This overextension without immediate
returns led to a final major cash flow crisis.
VentureLink wouldn't up their investment.
I think Richard reckoned VentureLink to be
long-term players, but they proved to be typical of their clan and were only interested in
short-term gain. So Theatre Projects was
wound up, although Theatre Projects Consultants LLP emerged from the ashes as a management buyout.
Apparently managerial and financial types
were a rarity in Richard's kitchen cabinet. He
seemed to rather distrust them; many came and
went. One financial director told me he told
Richard his fiduciary duty was not just to him but
also to other major shareholders and as a result
was let go. John Ball feels he fell out of favor as
a result of some off-the-record remarks that got
incorporated into a Lighting and Sound International article on the twenty-fifth anniversary
of Theatre Projects and quoted in the book.
The book's final chapters chronicle both the
success of Theatre Projects Consultants over the
last decade and also Richard's retirement. Richard can add to his many achievements the fact
that his consultancy is surviving. Most consultancies do not outlast their founders' retirements.
The book is a great read from many points
of view. It has some flaws-a binding that, on
my copy, fell apart after just a few reads, an
incomplete and spotty index, and a few factchecking misses-but it's extremely informative about Richard Pilbrow's many and various
theatrical careers, and it's also inspirational.
Martin Moore started in London theatre
as a board operator. As chief engineer for
Strand Electric, he worked on the world's
first computer boards. In the United States,
he has worked for Kliegl Bros, Artec, FisherDachs, and Empac (Experimental Media
and Performing Arts Center) at Rensselaer
Polytechnic Institute in Troy, N.Y. He is
currently active in standards writing.
f
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2011
theatre design
& technology
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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2011
Contents
Theatre Design & Technology - Fall 2011 - 1
Theatre Design & Technology - Fall 2011 - 2
Theatre Design & Technology - Fall 2011 - 3
Theatre Design & Technology - Fall 2011 - Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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