Theatre Design & Technology - Fall 2012 - 6

from the

e ditor

In this issue we have two sound articles, two costume articles, two lighting articles, and a piece
about web portfolios.
Debra Garcia Lockwood flew across the
country to interview lighting designer Howard
Brandston who was given the USITT Distinguished Achievement Award at the USITT Conference & Stage Expo last March. He has spent
most of his career lighting architecture, but this
conversation in his Hudson Valley farmhouse focuses on his theatre training and his ideas
about educating designers.
Joel Rubin, a founding member of USITT whose career has been at the center of innovations in theatrical equipment, architectural lighting, and lighting control looks at the
adoption of LED light sources in live entertainment. He makes the case that the technological advances and price decreases necessary for LEDs to supplant current light sources will
take about five to ten years.
Erik Alberg continues his report on the Sound Lab that made its impressive debut
at the 2012 conference in Long Beach. Part II covers the five workstations where visitors
could get hands-on demonstrations of a wide variety of sound equipment.
Peggy Rosefeldt wrote the essay on Lucinda Ballard in USITT's book Late & Great:
American Designers 1960-2010. In this issue, she mines a treasure trove of interviews
with Ballard conducted between 1985 and 1987 in order to bring us a more personal collection of stories.
Todd Proffitt reviews many of the ways designers and technicians are creating and
managing what he terms their digital presence through websites, online portfolios, and
social media.
Alan Hardiman, a sound designer and journalist, describes the soundscape he created
in Toronto's Harbour Square Park last June for a festival commemorating the bicentennial
of the outbreak of the War of 1812. In particular, he explains how the TiMax2 SoundHub
system enabled him to be more creative and also increase the intelligibility of the actors
who performed in multiple outdoor locations.
Ray Diffen, who died in March, had an outsized influence on the costume business in
New York. Sherry Amott Tippey, Triffin Morris, Tony Walton, and Desmond Heeley share
some personal stories about Diffen and his career. -dr
U S I T T M I S S I O N S TAT E M E N T
United States Institute for Theatre Technology, Inc. (USITT) connects performing arts design and technology communities
to ensure a vibrant dialogue among practitioners, educators, and students.

t h e a t re
design

&

technology
T he peer-review jour nal
for design, production and
technolog y professionals
in the perfor ming arts and
entertainment industr y.

editorial office
david rodger
editor

deborah hazleTT
art director

*
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associate editors
raYmond KenT
architecture

peggY roSefeldT

Costume design & Technology

paTriCK m. finelli

Computers & Software

William KenYon
education

jerrY gorrell
engineering

david C. gloWaCKi
health & Safety

linda eSSig

lighting design & Technology

riChard peTerSon
management

roberT l. SmiTh & heidi hoffer
Scenic design & Technology

dave ToSTi-lane

Sound design & Technology

bill broWning

Technical production

arnold WengroW
book reviews

William j. bYrneS
inside USiTT

contributing editors
arnold aronson * eric fielding *
sarah nash gates * joel e. rubin *
beeb salzer * delbert unruh *
tom watson * arnold wengrow

advertising
jim lUCaS

Statements and opinions expressed in articles or editorials in TD&T are the expressions of the individual contributors and do
not necessarily represent the policies or opinions of the United States Institute for Theatre Technology, Inc. Advertisements
appearing in this publication are the sole responsibility of the advertiser.
TD&T (ISSN 1052-6765) is published five times a year-Winter, Spring, Summer, Special Issue, and Fall-by United States
Institute for Theatre Technology, Inc., 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. Subscription to TD&T, also known
as Theatre Design & Technology, is a benefit of USITT membership. Fourteen dollars is deducted from membership dues
to cover cost of publication. Periodicals postage paid at Syracuse, NY and additional mailing offices. POSTMASTER: Send
address changes to TD&T, c/o USITT, 315 So. Crouse Ave., Suite 200, Syracuse, NY 13210. COPYRIGHT © 2012 by United
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without permission.

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international affiliation
USiTT is the United States Center of oiSTaT: The
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Theatre architects and Technicians.



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2012

Contents
Theatre Design & Technology - Fall 2012 - 1
Theatre Design & Technology - Fall 2012 - 2
Theatre Design & Technology - Fall 2012 - 3
Theatre Design & Technology - Fall 2012 - Contents
Theatre Design & Technology - Fall 2012 - 5
Theatre Design & Technology - Fall 2012 - 6
Theatre Design & Technology - Fall 2012 - 7
Theatre Design & Technology - Fall 2012 - 8
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