Theatre Design & Technology - Spring 2012 - 13

A packed house in the new USITT Sound Lab listens to a presentation by Meyer Sound Laboratories about their Constellation Acoustic System.
form of the Sound Lab. He also shared with us the exciting news
that Meyer Sound was considering installing a full Constellation
Acoustic System if we could find the right space to show it off.
The first question was obvious: where could we put the
Sound Lab? After site visits by Mike, Mac Johnson, and members
of the USITT Conference Committee, the location that stood out
was a portion of the Long Beach Convention & Entertainment
Center's Grand Ballroom. The next steps were to determine
what would go in the lab, as well as how we would manage to
get it there and set up.
A ballroom is much different than a theatre or other performance venue, so the choice offered many challenges, but it also
offered a degree of freedom. Quickly a plan began to take shape.
The heart of the system would be the Meyer Constellation Acoustic System. Constellation is a complete solution of equipment and
services provided by Meyer Sound. This groundbreaking technology enables the acoustical properties of a room to be altered to
suit the nature of the event taking place. Given the complexity and
uniqueness of the Constellation System, we wanted it to be the
focal point of the room. We also wanted to offer multiple stations
with various kinds of systems and software for people to learn
spring

about, see demonstrated, and experience hands-on. Very quickly,
our imagined room was filling up. And then the first drawings appeared from Meyer Sound. I have to say that my jaw hit the floor
when I saw the rig, which included over 540 linear feet of truss
and well over sixty loudspeakers. Suddenly the true scale of this
project became evident.
With the centerpiece of our Sound Lab taking shape, we
turned to the multiple sound stations. We wondered what other
content we could offer. What could we fit around the massive truss
and the audience seating? The plan we developed included five
primary lab stations with different content at each one. We knew
visitors would want to explore wireless microphones, testing and
measurement systems, surround sound, digital mixers, and playback and sound automation, as well as the Constellation System.
Before we knew it, October was upon us, and deadlines
were looming. We had a rough sketch of a floor plan, we were
starting to fit all the pieces together, and we were starting to
work out the schedule for loading in a system of this complexity and size. We were also working out the schedule for the lab,
taking into account that this room was also the principal room
for almost all of the Sound Commission sessions. We needed to
2012

theatre design

& technology

11



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2012

Contents
Theatre Design & Technology - Spring 2012 - 1
Theatre Design & Technology - Spring 2012 - 2
Theatre Design & Technology - Spring 2012 - 3
Theatre Design & Technology - Spring 2012 - Contents
Theatre Design & Technology - Spring 2012 - 5
Theatre Design & Technology - Spring 2012 - 6
Theatre Design & Technology - Spring 2012 - 7
Theatre Design & Technology - Spring 2012 - 8
Theatre Design & Technology - Spring 2012 - 9
Theatre Design & Technology - Spring 2012 - 10
Theatre Design & Technology - Spring 2012 - 11
Theatre Design & Technology - Spring 2012 - 12
Theatre Design & Technology - Spring 2012 - 13
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Theatre Design & Technology - Spring 2012 - 15
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Theatre Design & Technology - Spring 2012 - 17
Theatre Design & Technology - Spring 2012 - 18
Theatre Design & Technology - Spring 2012 - 19
Theatre Design & Technology - Spring 2012 - 20
Theatre Design & Technology - Spring 2012 - 21
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Theatre Design & Technology - Spring 2012 - 24
Theatre Design & Technology - Spring 2012 - 25
Theatre Design & Technology - Spring 2012 - 26
Theatre Design & Technology - Spring 2012 - 27
Theatre Design & Technology - Spring 2012 - 28
Theatre Design & Technology - Spring 2012 - 29
Theatre Design & Technology - Spring 2012 - 30
Theatre Design & Technology - Spring 2012 - 31
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Theatre Design & Technology - Spring 2012 - 37
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